Eleanor Selfridge-Field: Articles - Revision history

Esfield: /* European Culture, Music, and History */

2024-11-02T00:15:07Z

European Culture, Music, and History

← Older revision		Revision as of 00:15, 2 November 2024
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	"Venetian Instrumental Music in the Sixteenth Century" in the <i>Companion to Music in Sixteenth-Century Venice</i>, ed. Katelijne Schiltz (Turnhout: Brill, 2017), pp. 415-439.		"Venetian Instrumental Music in the Sixteenth Century" in the <i>Companion to Music in Sixteenth-Century Venice</i>, ed. Katelijne Schiltz (Turnhout: Brill, 2017), pp. 415-439.

			"A Topography and Taxonomy of Digital Musicology", <i>Arti Musices</i> 48/2, 215-225.

	"Schulenburg, Corfù, and the dating of <i>Juditha triumphans</i>" in <i>Fulgeat sul frontis decorae: Studi in onore di Michael Talbot</i>, ed. A. Borin and J.M. Cameron, Venice: Fondazione Giorgio Cini, 2016), 207-221.		"Schulenburg, Corfù, and the dating of <i>Juditha triumphans</i>" in <i>Fulgeat sul frontis decorae: Studi in onore di Michael Talbot</i>, ed. A. Borin and J.M. Cameron, Venice: Fondazione Giorgio Cini, 2016), 207-221.

Esfield: /* Invited talks and panels */

2024-04-14T01:26:43Z

Invited talks and panels

← Older revision		Revision as of 01:26, 14 April 2024
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	“Rovetta's Music for Holy Week,” La Basilica di San Marco nell'età moderna, ed. Francesco Passadore e Franco Rossi (talk, 1994; book, Venice: Fondazione Levi, 1998), pp. 401-441. Draft version of article. Score for mass.		“Rovetta's Music for Holy Week,” La Basilica di San Marco nell'età moderna, ed. Francesco Passadore e Franco Rossi (talk, 1994; book, Venice: Fondazione Levi, 1998), pp. 401-441. Draft version of article. Score for mass.

	“Venetian Opera, French Criticism, and English Travels: The Case of <i>Le Mercure de France</> and Joseph Addison,” <i>Revue de musicologie</i>, 83/2 (1997), pp. 185-201~~. Draft~~.		“Venetian Opera, French Criticism, and English Travels: The Case of <i>Le Mercure de France<i/> and Joseph Addison,” <i>Revue de musicologie</i>, 83/2 (1997), pp. 185-201.

	“Venice: Musical Expression in an Era of Political Decline” in <i>Music and Man</i> (gen. ed. Stanley Sadie), 4: <i>The Late Baroque Era from the 1680s to 1740</i>, ed. George J. Buelow (London: Macmillan, 1993), pp. 66-93.		“Venice: Musical Expression in an Era of Political Decline” in <i>Music and Man</i> (gen. ed. Stanley Sadie), 4: <i>The Late Baroque Era from the 1680s to 1740</i>, ed. George J. Buelow (London: Macmillan, 1993), pp. 66-93.

Esfield: /* Music Theory, Cognition, and Technology */

2024-04-14T01:25:31Z

Music Theory, Cognition, and Technology

← Older revision		Revision as of 01:25, 14 April 2024
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	Co-chair, Symposium on “Knowledge Representation for Intelligent Music Processing,” Leibniz Center for Informatics, Schloss Dagstuhl (Wadern, DE), 25-30 January 2009. See [http://drops.dagstuhl.de/opus/volltexte/2009/1971/ The Dagstuhl Core]. Coverage in the <i>Frankfurter Allgemeine Zeitung</i> (1 March 2009).		Co-chair, Symposium on “Knowledge Representation for Intelligent Music Processing,” Leibniz Center for Informatics, Schloss Dagstuhl (Wadern, DE), 25-30 January 2009. See [http://drops.dagstuhl.de/opus/volltexte/2009/1971/ The Dagstuhl Core]. Coverage in the <i>Frankfurter Allgemeine Zeitung</i> (1 March 2009).

	~~“Digital Philology, Performing Medium, and Graphical Idiom~~,~~” <i>~~Digitale Edition zwischen Experiment und Standardisierung" Musik Codierung~~</i>~~, ed. P. Stadler ~~and J.~~ Veit (~~Behefte zu Editio, 31~~) ~~De Gruyter~~, ~~2009~~.		"Musical Variants in Digital Practice", Digitale Edition zwischen Experiment und Standardisierung: Musik-Text-Codierung , ed. Peter Stadler, Joachim Veit, Tübingen: Max Niemeyer Verlag (2009), 111-129.

	“Symbolic Musical Data: ISMIR Tutorial (with Craig Stuart Sapp). <i>Proceedings of the Ninth International Symposium on Music Information Retrieval</i>, Philadelphia, 2008. Tutorial.		“Symbolic Musical Data: ISMIR Tutorial (with Craig Stuart Sapp). <i>Proceedings of the Ninth International Symposium on Music Information Retrieval</i>, Philadelphia, 2008. Tutorial.

Esfield: /* Articles */

2024-04-14T01:21:54Z

Articles

← Older revision		Revision as of 01:21, 14 April 2024
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	“Venetian Opera, French Criticism, and English Travels: The Case of Le Mercure de France and Joseph Addison,” Revue de musicologie, 83/2 (1997), pp. 185-201. Draft.		“Venetian Opera, French Criticism, and English Travels: The Case of Le Mercure de France and Joseph Addison,” Revue de musicologie, 83/2 (1997), pp. 185-201. Draft.

	“Venice: Musical Expression in an Era of Political Decline” in Music and Man (gen. ed. Stanley Sadie), 4: The Late Baroque Era from the 1680s to 1740, ed. George J. Buelow (London: Macmillan, 1993), pp. 66-93.		“Venice: Musical Expression in an Era of Political Decline” in <i>Music and Man</i> (gen. ed. Stanley Sadie), 4: <i>The Late Baroque Era from the 1680s to 1740</i>, ed. George J. Buelow (London: Macmillan, 1993), pp. 66-93.

	“Genre and Instrumentation in Italian Music, 1600-1670,” <i>Early Music</i>, XIX/1 (1991), pp. 61-7.		“Genre and Instrumentation in Italian Music, 1600-1670,” <i>Early Music</i>, XIX/1 (1991), pp. 61-7.

Esfield: /* Articles */

2024-04-14T01:15:51Z

Articles

← Older revision		Revision as of 01:15, 14 April 2024
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	“From Carnival Opera to Lenten Opera: The Politics of Theatrical Time,” <i>Passages</i>: Congress of the International Musicological Society, Zurich, 10-15 July 2007.		“From Carnival Opera to Lenten Opera: The Politics of Theatrical Time,” <i>Passages</i>: Congress of the International Musicological Society, Zurich, 10-15 July 2007.

	“Scuole della musica a Venezia da 1500 al 1797,” <i>Recercare</i>, 2007 [posthumous completion, with Loris Stella].		[Vio, Gastone] “Scuole della musica a Venezia da 1500 al 1797,” <i>Recercare</i>, 2007 [posthumous completion, with Loris Stella].

	“The Invention of the Fortepiano as Intellectual History,” <i>Early Music</i> 29 (2005), 81-94.		“The Invention of the Fortepiano as Intellectual History,” <i>Early Music</i> 29 (2005), 81-94.

Esfield at 03:29, 4 April 2024

2024-04-04T03:29:58Z

← Older revision		Revision as of 03:29, 4 April 2024
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	Articles through ~~2022~~ <small>(or later if open access is lacking)</small>		Articles through 2023 <small>(or later if open access is lacking)</small>

	==European Culture, Music, and History==		==European Culture, Music, and History==

Esfield at 20:44, 29 March 2024

2024-03-29T20:44:31Z

← Older revision		Revision as of 20:44, 29 March 2024
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	“Composition, Combinatorics, and Simulation: A Historical and Philosophical Enquiry” in David Cope (ed.), <i>Virtual Music: Computer Synthesis of Musical Style</i> (Cambridge: The MIT Press, 2001), pp. 187-220. Now available at https://direct.mit.edu.		“Composition, Combinatorics, and Simulation: A Historical and Philosophical Enquiry” in David Cope (ed.), <i>Virtual Music: Computer Synthesis of Musical Style</i> (Cambridge: The MIT Press, 2001), pp. 187-220. Now available at https://direct.mit.edu.

	“The Electronic Dissemination of Notated Music: An Overview” [with Don Anthony and Charles Cronin], <i>The Virtual Score</i> (Computing in Musicology, 12, 2001), 135-166. See http://www.ccarh.org/publications/books/cm/vol/12/10/		“The Electronic Dissemination of Notated Music: An Overview” [with Don Anthony and Charles Cronin], <i>The Virtual Score</i> (<i>Computing in Musicology</i>, 12, 2001), 135-166. See http://www.ccarh.org/publications/books/cm/vol/12/10/

	“Conceptual and Representational Issues in Melodic Comparison” in <i>Melodic Similarity</i>, (Computing in Musicology, 11, 1998), 3-64.		“Conceptual and Representational Issues in Melodic Comparison” in <i>Melodic Similarity: Concepts, Procedures, and Applications</i>, (<i>Computing in Musicology</i>, 11, 1998), 3-64.

	“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.		“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.
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	“Composition, Combinatorics, and Simulation: A Historical and Philosophical Enquiry” in David Cope (ed.), <i>Virtual Music: Computer Synthesis of Musical Style</i> (Cambridge: The MIT Press, 2001), pp. 187-220.		“Composition, Combinatorics, and Simulation: A Historical and Philosophical Enquiry” in David Cope (ed.), <i>Virtual Music: Computer Synthesis of Musical Style</i> (Cambridge: The MIT Press, 2001), pp. 187-220.

	“The Electronic Dissemination of Notated Music: An Overview” [with Don Anthony and Charles Cronin], <i>The Virtual Score: Representation, Retrieval, Restoration</i> (Computing in Musicology, 12, 2001), 135-166. See http://www.ccarh.org/publications/books/cm/vol/12/10/		“The Electronic Dissemination of Notated Music: An Overview” [with Don Anthony and Charles Cronin], <i>The Virtual Score: Representation, Retrieval, Restoration</i> (<i>Computing in Musicology</i>, 12, 2001), 135-166. See http://www.ccarh.org/publications/books/cm/vol/12/10/

	“Data Models for Virtual Distribution of Musical Scores” (with Walter B. Hewlett and Craig Stuart Sapp), <i>First International Congress on Web Delivery of Music</i> (Florence, 2001), (Los Alamos, NM: IEEE Computer Society), 62-70.		“Data Models for Virtual Distribution of Musical Scores” (with Walter B. Hewlett and Craig Stuart Sapp), <i>First International Congress on Web Delivery of Music</i> (Florence, 2001), (Los Alamos, NM: IEEE Computer Society), 62-70.
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	“Domain Relationships in Man-Machine Interactions in Music” in <i>Machines and History: Proceedings of the Ninth International Congress of the German Association for Semiotic Studies</i> (Dresden, 3-6 October 1999).		“Domain Relationships in Man-Machine Interactions in Music” in <i>Machines and History: Proceedings of the Ninth International Congress of the German Association for Semiotic Studies</i> (Dresden, 3-6 October 1999).

	“Conceptual and Representational Issues in Melodic Comparison” in <i>Melodic Similarity: Concepts, Procedures, and ~~Appliccations~~</i> (Computing in Musicology, 11, 1998), 3-64.		“Conceptual and Representational Issues in Melodic Comparison” in <i>Melodic Similarity: Concepts, Procedures, and Applications</i> (<i>Computing in Musicology</i>, 11, 1998), 3-64.

	“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.		“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.

Esfield at 20:40, 29 March 2024

2024-03-29T20:40:55Z

← Older revision		Revision as of 20:40, 29 March 2024
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	“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.		“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.

	===~~<b>~~Invited talks and panels~~</b>~~===		===Invited talks and panels===
	“Musical Commerce and the Fiera della Sensa, 1720-1760,” <i>Venezia mercato delle arti</i>, Ducal Palace, Venice, 11 October 2008 (<i>Venezia mercato delle arti</i>, org. Barbara Marx). Forthcoming.		“Musical Commerce and the Fiera della Sensa, 1720-1760,” <i>Venezia mercato delle arti</i>, Ducal Palace, Venice, 11 October 2008 (<i>Venezia mercato delle arti</i>, org. Barbara Marx). Forthcoming.

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	"Marcello and Greek Mythology" in <i>L’invenzione del gusto. Corelli e Vivaldi: mutazioni culturali, a Roma e Venezia, nel periodo post-barocco</i>, ed. Giovanni Morelli, 1982.		"Marcello and Greek Mythology" in <i>L’invenzione del gusto. Corelli e Vivaldi: mutazioni culturali, a Roma e Venezia, nel periodo post-barocco</i>, ed. Giovanni Morelli, 1982.

	==~~<b>~~Music Theory, Cognition, and Technology~~</b>~~==		==Music Theory, Cognition, and Technology==

	Co-chair, Symposium on “Knowledge Representation for Intelligent Music Processing,” Leibniz Center for Informatics, Schloss Dagstuhl (Wadern, DE), 25-30 January 2009. See [http://drops.dagstuhl.de/opus/volltexte/2009/1971/ The Dagstuhl Core]. Coverage in the <i>Frankfurter Allgemeine Zeitung</i> (1 March 2009).		Co-chair, Symposium on “Knowledge Representation for Intelligent Music Processing,” Leibniz Center for Informatics, Schloss Dagstuhl (Wadern, DE), 25-30 January 2009. See [http://drops.dagstuhl.de/opus/volltexte/2009/1971/ The Dagstuhl Core]. Coverage in the <i>Frankfurter Allgemeine Zeitung</i> (1 March 2009).

Esfield at 20:39, 29 March 2024

2024-03-29T20:39:04Z

← Older revision		Revision as of 20:39, 29 March 2024
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	Articles through 2022 <small>(or later if open access is lacking)</small>		Articles through 2022 <small>(or later if open access is lacking)</small>

	==~~<b>~~European Culture, Music, and History~~</b>~~==		==European Culture, Music, and History==

	===Articles===		===Articles===

Esfield at 20:36, 29 March 2024

2024-03-29T20:36:47Z

← Older revision		Revision as of 20:36, 29 March 2024
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	“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.		“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.

	===Invited talks and panels===		===<b>Invited talks and panels</b>===
	“Musical Commerce and the Fiera della Sensa, 1720-1760,” <i>Venezia mercato delle arti</i>, Ducal Palace, Venice, 11 October 2008 (<i>Venezia mercato delle arti</i>, org. Barbara Marx). Forthcoming.		“Musical Commerce and the Fiera della Sensa, 1720-1760,” <i>Venezia mercato delle arti</i>, Ducal Palace, Venice, 11 October 2008 (<i>Venezia mercato delle arti</i>, org. Barbara Marx). Forthcoming.

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	“Rovetta's Music for Holy Week,” La Basilica di San Marco nell'età moderna, ed. Francesco Passadore e Franco Rossi (talk, 1994; book, Venice: Fondazione Levi, 1998), pp. 401-441. Draft version of article. Score for mass.		“Rovetta's Music for Holy Week,” La Basilica di San Marco nell'età moderna, ed. Francesco Passadore e Franco Rossi (talk, 1994; book, Venice: Fondazione Levi, 1998), pp. 401-441. Draft version of article. Score for mass.

	“Venetian Opera, French Criticism, and English Travels: The Case of Le Mercure de France and Joseph Addison,” Revue de musicologie, 83/2 (1997), pp. 185-201. Draft.		“Venetian Opera, French Criticism, and English Travels: The Case of <i>Le Mercure de France</> and Joseph Addison,” <i>Revue de musicologie</i>, 83/2 (1997), pp. 185-201. Draft.

	“Venice: Musical Expression in an Era of Political Decline” in Music and Man (gen. ed. Stanley Sadie), 4: The Late Baroque Era from the 1680s to 1740, ed. George J. Buelow (London: Macmillan, 1993), pp. 66-93.		“Venice: Musical Expression in an Era of Political Decline” in <i>Music and Man</i> (gen. ed. Stanley Sadie), 4: <i>The Late Baroque Era from the 1680s to 1740</i>, ed. George J. Buelow (London: Macmillan, 1993), pp. 66-93.

	“Genre and Instrumentation in Italian Music, 1600-1670,” Early Music, XIX/1 (1991), pp. 61-7.		“Genre and Instrumentation in Italian Music, 1600-1670,” <i>Early Music</i>, XIX/1 (1991), pp. 61-7.

	“The Baroque Era: Introduction” in Performance Practice (The New Grove Handbooks in Music), II: Music after 1600, ed. Howard Mayer Brown and Stanley Sadie, 2 vols. (London: The Macmillan Press and New York: W.W. Norton & Co., Ltd., 1989), II, pp. 3-19.		“The Baroque Era: Introduction” in Performance Practice (The New Grove Handbooks in Music), II: Music after 1600, ed. Howard Mayer Brown and Stanley Sadie, 2 vols. (London: The Macmillan Press and New York: W.W. Norton & Co., Ltd., 1989), II, pp. 3-19.
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	“Is Implicit Information Retrievable in Music Queries?”, Invited talk, Dagstuhl (DE) Seminar No. 04021. 8 January 2004.		“Is Implicit Information Retrievable in Music Queries?”, Invited talk, Dagstuhl (DE) Seminar No. 04021. 8 January 2004.

	“The Temperament, Scale, and Mode of Koto Music” [with Sachiko Deguchi and Katsuhiko Shirai] in Music and Globalization [in Japanese] (Tokyo, 2004), 434-48.		“The Temperament, Scale, and Mode of Koto Music” [with Sachiko Deguchi and Katsuhiko Shirai] in <i>Music and Globalization</i> [in Japanese] (Tokyo, 2004), 434-48.

	“Base-40 Arithmetic: Implications for Notation-Based Applications,” Invited talk, WEDEL 2003/Interactive Music Network. Leeds University (UK). 11-14 September 2003.		“Base-40 Arithmetic: Implications for Notation-Based Applications,” Invited talk, WEDEL 2003/Interactive Music Network. Leeds University (UK). 11-14 September 2003.

	“Composition, Combinatorics, and Simulation: A Historical and Philosophical Enquiry” in David Cope (ed.), Virtual Music: Computer Synthesis of Musical Style (Cambridge: The MIT Press, 2001), pp. 187-220.		“Composition, Combinatorics, and Simulation: A Historical and Philosophical Enquiry” in David Cope (ed.), <i>Virtual Music: Computer Synthesis of Musical Style</i> (Cambridge: The MIT Press, 2001), pp. 187-220.

	“The Electronic Dissemination of Notated Music: An Overview” [with Don Anthony and Charles Cronin], The Virtual Score (Computing in Musicology, 12, 2001), 135-166. See http://www.ccarh.org/publications/books/cm/vol/12/10/		“The Electronic Dissemination of Notated Music: An Overview” [with Don Anthony and Charles Cronin], <i>The Virtual Score: Representation, Retrieval, Restoration</i> (Computing in Musicology, 12, 2001), 135-166. See http://www.ccarh.org/publications/books/cm/vol/12/10/

	“Data Models for Virtual Distribution of Musical Scores” (with Walter B. Hewlett and Craig Stuart Sapp), First International Congress on Web Delivery of Music ( Florence , 2001), (Los Alamos, NM: IEEE Computer Society), 62-70.		“Data Models for Virtual Distribution of Musical Scores” (with Walter B. Hewlett and Craig Stuart Sapp), <i>First International Congress on Web Delivery of Music</i> (Florence, 2001), (Los Alamos, NM: IEEE Computer Society), 62-70.

	“Domain Relationships in Man-Machine Interactions in Music” in <i>Machines and History: Proceedings of the Ninth International Congress of the German Association for Semiotic Studies</i> (Dresden, 3-6 October 1999).		“Domain Relationships in Man-Machine Interactions in Music” in <i>Machines and History: Proceedings of the Ninth International Congress of the German Association for Semiotic Studies</i> (Dresden, 3-6 October 1999).
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	“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.		“Experiments with Melody and Meter, or The Effects of Music: The Edison-Bingham Music Research,” <i>The Musical Quarterly</i> 81/2 (1997), 291-310.

	"Marcello and Greek Mythology" in <i>L’invenzione del gusto. Corelli e Vivaldi: mutazioni culturali, a Roma e Venezia, nel periodo post-barocco</i>, ed. Giovanni ~~Morelli~~, 1982.		"Marcello and Greek Mythology" in <i>L’invenzione del gusto. Corelli e Vivaldi: mutazioni culturali, a Roma e Venezia, nel periodo post-barocco</i>, ed. Giovanni Morelli, 1982.

	==<b>Music Theory, Cognition, and Technology</b>==		==<b>Music Theory, Cognition, and Technology</b>==
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	“Digital Philology, Performing Medium, and Graphical Idiom,” <i>Digitale Edition zwischen Experiment und Standardisierung" Musik Codierung</i>, ed. P. Stadler and J. Veit (Behefte zu Editio, 31) De Gruyter, 2009.		“Digital Philology, Performing Medium, and Graphical Idiom,” <i>Digitale Edition zwischen Experiment und Standardisierung" Musik Codierung</i>, ed. P. Stadler and J. Veit (Behefte zu Editio, 31) De Gruyter, 2009.

	“Symbolic Musical Data: ISMIR Tutorial (with Craig Stuart Sapp). <i>Proceedings of the Ninth International Symposium on Music Information Retrieval</i>, Philadelphia, 2008. ~~Talk. Handout~~.		“Symbolic Musical Data: ISMIR Tutorial (with Craig Stuart Sapp). <i>Proceedings of the Ninth International Symposium on Music Information Retrieval</i>, Philadelphia, 2008. Tutorial.

	“Algorithms for Music Information Retrieval: The Hausdorff Metric and Geometric Hashing” [lead author: Christian André Romming], ISMIR 2007. Available [http://ismir2007.ismir.net/proceedings/ISMIR2007_p457_romming.pdf here].		“Algorithms for Music Information Retrieval: The Hausdorff Metric and Geometric Hashing” [lead author: Christian André Romming], ISMIR 2007. Available [http://ismir2007.ismir.net/proceedings/ISMIR2007_p457_romming.pdf here].