DARMS - Revision history

https://wiki.ccarh.org/index.php?action=history&feed=atom&title=DARMS DARMS - Revision history 2026-04-10T00:03:05Z Revision history for this page on the wiki MediaWiki 1.43.0 https://wiki.ccarh.org/index.php?title=DARMS&diff=11870&oldid=prev Esfield at 22:00, 27 October 2022 2022-10-27T22:00:34Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:00, 27 October 2022</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4">Line 4:</td> <td colspan="2" class="diff-lineno">Line 4:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), [https://en.wikipedia.org/wiki/Allen_Forte Allen Forte] (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and [http://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initiatives/Doctoral-Programs/Music-(Ph-D-D-M-A-)/Faculty-Bios/Raymond-Erickson Raymond Erickson] (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), [https://en.wikipedia.org/wiki/Allen_Forte Allen Forte] (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and [http://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initiatives/Doctoral-Programs/Music-(Ph-D-D-M-A-)/Faculty-Bios/Raymond-Erickson Raymond Erickson] (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">* </del>[http://<del style="font-weight: bold; text-decoration: none;">esf</del>.ccarh.org/ccarh-wiki/DARMS-<del style="font-weight: bold; text-decoration: none;">1976</del>.<del style="font-weight: bold; text-decoration: none;">pdf DARMS Manual 1976]</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In the 1997 book </ins>[http://<ins style="font-weight: bold; text-decoration: none;">beyondmidi</ins>.ccarh.org/<ins style="font-weight: bold; text-decoration: none;">beyondmidi-600dpi.pdf <i>Beyond MIDI</i>] we covered the dialects then in use--the A-R version (proprietary), the [http://www.</ins>ccarh<ins style="font-weight: bold; text-decoration: none;">.org/publications/books/beyondmidi/online/darms/ Note</ins>-<ins style="font-weight: bold; text-decoration: none;">Processor (software) version], and the Erickson version. Brief synopses can be found at the Stanford [http://</ins>wiki<ins style="font-weight: bold; text-decoration: none;">.ccarh.org</ins>/<ins style="font-weight: bold; text-decoration: none;">wiki/Music_253#</ins>DARMS <ins style="font-weight: bold; text-decoration: none;">musical</ins>-<ins style="font-weight: bold; text-decoration: none;">information course website]</ins>.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">In the 1997 book </del>[http://<del style="font-weight: bold; text-decoration: none;">beyondmidi</del>.ccarh.org/<del style="font-weight: bold; text-decoration: none;">beyondmidi-600dpi.pdf Beyond MIDI] we covered the dialects then in use--the A-R version (proprietary), the [http://www.</del>ccarh<del style="font-weight: bold; text-decoration: none;">.org/publications/books/beyondmidi/online/darms/ Note</del>-<del style="font-weight: bold; text-decoration: none;">Processor (software) version], and the Erickson version. Brief synopses can be found at the Stanford [http://wiki.ccarh.org/</del>wiki/<del style="font-weight: bold; text-decoration: none;">Music_253#</del>DARMS <del style="font-weight: bold; text-decoration: none;">musical</del>-<del style="font-weight: bold; text-decoration: none;">information course website</del>]<del style="font-weight: bold; text-decoration: none;">.</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><b>DARMS Literature</b></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* </ins>[http://<ins style="font-weight: bold; text-decoration: none;">esf</ins>.ccarh.org/ccarh-wiki/DARMS-<ins style="font-weight: bold; text-decoration: none;">1976.pdf Raymond Erickson, DARMS Manual 1976</ins>]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><b>DARMS Literature</b></del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Raymond F. Erickson, "'The DARMS Project': A Status Report, <i>Computers and the Humanities</i>, v.9 (1975), 291-298.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Raymond F. Erickson, "'The DARMS Project': A Status Report, <i>Computers and the Humanities</i>, v.9 (1975), 291-298.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Raymond Erickson and Anthony B. Wolff, "The DARMS Project: Implementation of an artificial language for the representation of music," <i>Trends in Linguistics: Studies and Monographs in Computers in Language Research</i>, v. 2 (1983), 171-219. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Raymond Erickson and Anthony B. Wolff, "The DARMS Project: Implementation of an artificial language for the representation of music," <i>Trends in Linguistics: Studies and Monographs in Computers in Language Research</i>, v. 2 (1983), 171-219. </div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Bruce McLean, "A Cuboid Score Representation Structure for Applications in Musical Computing," computerscript, State University of New York--Binghamton, October 14, 1986.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Bruce McLean, "A Cuboid Score Representation Structure for Applications in Musical Computing," computerscript, State University of New York--Binghamton, October 14, 1986.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small></div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=DARMS&diff=11869&oldid=prev Esfield at 21:58, 27 October 2022 2022-10-27T21:58:12Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:58, 27 October 2022</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td> <td colspan="2" class="diff-lineno">Line 7:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the 1997 book [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf Beyond MIDI] we covered the dialects then in use--the A-R version (proprietary), the [http://www.ccarh.org/publications/books/beyondmidi/online/darms/ Note-Processor (software) version], and the Erickson version. Brief synopses can be found at the Stanford [http://wiki.ccarh.org/wiki/Music_253#DARMS musical-information course website].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the 1997 book [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf Beyond MIDI] we covered the dialects then in use--the A-R version (proprietary), the [http://www.ccarh.org/publications/books/beyondmidi/online/darms/ Note-Processor (software) version], and the Erickson version. Brief synopses can be found at the Stanford [http://wiki.ccarh.org/wiki/Music_253#DARMS musical-information course website].</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><b>DARMS Literature</b></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Raymond F. Erickson, "'The DARMS Project': A Status Report, <i>Computers and the Humanities</i>, v.9 (1975), 291-298.</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Raymond Erickson and Anthony B. Wolff, "The DARMS Project: Implementation of an artificial language for the representation of music," <i>Trends in Linguistics: Studies and Monographs in Computers in Language Research</i>, v. 2 (1983), 171-219. </ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Bruce McLean, "A Cuboid Score Representation Structure for Applications in Musical Computing," computerscript, State University of New York--Binghamton, October 14, 1986.</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small></div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=DARMS&diff=6603&oldid=prev Craig: /* DARMS */ 2015-10-17T01:58:05Z

<p><span class="autocomment">DARMS</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 01:58, 17 October 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">==DARMS==</del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Dutch artist [https://en.wikipedia.org/wiki/M._C._Escher M. C. Escher]'s papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to [https://en.wikipedia.org/wiki/Leonard_Bernstein Leonard Bernstein] at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Dutch artist [https://en.wikipedia.org/wiki/M._C._Escher M. C. Escher]'s papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to [https://en.wikipedia.org/wiki/Leonard_Bernstein Leonard Bernstein] at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td></tr> </table>

Craig https://wiki.ccarh.org/index.php?title=DARMS&diff=6522&oldid=prev Esfield: /* DARMS */ 2015-10-10T00:30:44Z

<p><span class="autocomment">DARMS</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:30, 10 October 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Dutch artist [https://en.wikipedia.org/wiki/M._C._Escher M. C. Escher]'s papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to [https://en.wikipedia.org/wiki/Leonard_Bernstein Leonard Bernstein] at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Dutch artist [https://en.wikipedia.org/wiki/M._C._Escher M. C. Escher]'s papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to [https://en.wikipedia.org/wiki/Leonard_Bernstein Leonard Bernstein] at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), [https://en.wikipedia.org/wiki/Allen_Forte Allen Forte] (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and Raymond Erickson (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By <del style="font-weight: bold; text-decoration: none;"> </del>the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), [https://en.wikipedia.org/wiki/Allen_Forte Allen Forte] (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and <ins style="font-weight: bold; text-decoration: none;">[http://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initiatives/Doctoral-Programs/Music-(Ph-D-D-M-A-)/Faculty-Bios/Raymond-Erickson </ins>Raymond Erickson<ins style="font-weight: bold; text-decoration: none;">] </ins>(harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://esf.ccarh.org/ccarh-wiki/DARMS-1976.pdf DARMS Manual 1976]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://esf.ccarh.org/ccarh-wiki/DARMS-1976.pdf DARMS Manual 1976]</div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=DARMS&diff=6521&oldid=prev Esfield: /* DARMS */ 2015-10-10T00:28:53Z

<p><span class="autocomment">DARMS</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:28, 10 October 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Dutch artist [https://en.wikipedia.org/wiki/M._C._Escher M. C. Escher]'s papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to [https://en.wikipedia.org/wiki/Leonard_Bernstein Leonard Bernstein] at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Dutch artist [https://en.wikipedia.org/wiki/M._C._Escher M. C. Escher]'s papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to [https://en.wikipedia.org/wiki/Leonard_Bernstein Leonard Bernstein] at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), <del style="font-weight: bold; text-decoration: none;">Allan </del>Forte (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and Raymond Erickson (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), <ins style="font-weight: bold; text-decoration: none;">[https://en.wikipedia.org/wiki/Allen_Forte Allen </ins>Forte<ins style="font-weight: bold; text-decoration: none;">] </ins>(music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and Raymond Erickson (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://esf.ccarh.org/ccarh-wiki/DARMS-1976.pdf DARMS Manual 1976]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://esf.ccarh.org/ccarh-wiki/DARMS-1976.pdf DARMS Manual 1976]</div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=DARMS&diff=6520&oldid=prev Esfield: /* DARMS */ 2015-10-10T00:27:25Z

<p><span class="autocomment">DARMS</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:27, 10 October 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==DARMS==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==DARMS==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Dutch artist [https://en.wikipedia.org/wiki/M._C._Escher M. C. Escher]'s papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to Leonard Bernstein at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Dutch artist [https://en.wikipedia.org/wiki/M._C._Escher M. C. Escher]'s papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to <ins style="font-weight: bold; text-decoration: none;">[https://en.wikipedia.org/wiki/Leonard_Bernstein </ins>Leonard Bernstein<ins style="font-weight: bold; text-decoration: none;">] </ins>at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), Allan Forte (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and Raymond Erickson (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), Allan Forte (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and Raymond Erickson (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=DARMS&diff=6519&oldid=prev Esfield: /* DARMS */ 2015-10-10T00:26:19Z

<p><span class="autocomment">DARMS</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:26, 10 October 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==DARMS==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==DARMS==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Escher <del style="font-weight: bold; text-decoration: none;">Papers</del>, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to Leonard Bernstein at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by [https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg Stefan Bauer-Mengelberg], a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the <ins style="font-weight: bold; text-decoration: none;">Dutch artist [https://en.wikipedia.org/wiki/M._C._Escher M. C. </ins>Escher<ins style="font-weight: bold; text-decoration: none;">]'s papers</ins>, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to Leonard Bernstein at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), Allan Forte (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and Raymond Erickson (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), Allan Forte (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and Raymond Erickson (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual (1976). Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=DARMS&diff=6518&oldid=prev Esfield: /* DARMS */ 2015-10-10T00:23:21Z

<p><span class="autocomment">DARMS</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:23, 10 October 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==DARMS==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==DARMS==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by Stefan Bauer-Mengelberg, a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Escher Papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to Leonard Bernstein at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The Digital Alternate Representation of Musical Scores (DARMS) was established in 1966 by <ins style="font-weight: bold; text-decoration: none;">[https://nl.wikipedia.org/wiki/Stefan_Bauer-Mengelberg </ins>Stefan Bauer-Mengelberg<ins style="font-weight: bold; text-decoration: none;">]</ins>, a mathematician, lawyer, and conductor. Bauer-Mengelberg, having served in the editorial board of the Escher Papers, was distinguished in all three careers. He was the son of a noted conductor and, in the 1960s, as assistant to Leonard Bernstein at the New York Philharmonic. The original idea of DARMS was to facilitate the production of scores for use by the New York orchestra. It was also part of the original conception to design a system that could be use to originate performing materials by persons who had no personal knowledge of musical notation but could succeed by counting lines and spaces on an existing score. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=DARMS&diff=6168&oldid=prev Craig at 07:44, 19 September 2015 2015-09-19T07:44:58Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 07:44, 19 September 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8">Line 8:</td> <td colspan="2" class="diff-lineno">Line 8:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://esf.ccarh.org/ccarh-wiki/DARMS-1976.pdf DARMS Manual 1976]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://esf.ccarh.org/ccarh-wiki/DARMS-1976.pdf DARMS Manual 1976]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In the 1997 book [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf Beyond MIDI] we covered the dialects then in use--the A-R version (proprietary), the [http://www.ccarh.org/publications/books/beyondmidi/online/darms/ Note-Processor (software) version], and the Erickson version. Brief synopses can be found at the Stanford [http://wiki.ccarh.org/wiki/Music_253#DARMS musical-<del style="font-weight: bold; text-decoration: none;">inforamtion </del>course website].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In the 1997 book [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf Beyond MIDI] we covered the dialects then in use--the A-R version (proprietary), the [http://www.ccarh.org/publications/books/beyondmidi/online/darms/ Note-Processor (software) version], and the Erickson version. Brief synopses can be found at the Stanford [http://wiki.ccarh.org/wiki/Music_253#DARMS musical-<ins style="font-weight: bold; text-decoration: none;">information </ins>course website].</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small></div></td></tr> </table>

Craig https://wiki.ccarh.org/index.php?title=DARMS&diff=6061&oldid=prev Esfield: /* DARMS */ 2015-09-11T00:45:56Z

<p><span class="autocomment">DARMS</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:45, 11 September 2015</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4">Line 4:</td> <td colspan="2" class="diff-lineno">Line 4:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>DARMS was not therefore in any sense a tool for new compositions. It was purely a tool for productivity, and one compatible with the "[https://en.wikipedia.org/wiki/Great_Society Great Society]" emphasis of the Johnson years (especially 1964-65) in American life. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), Allan Forte (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and Raymond Erickson (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual. Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The first DARMS conference-cum-tutorial was held on the campus of SUNY Binghamton 1966. It attracted several individuals who later made distinguished contributions to computer-generated notation. Among them were Harry B. Lincoln (musicologist), Allan Forte (music theorist), [https://en.wikipedia.org/wiki/Jef_Raskin Jef Raskin] (then a math and music student at UC San Diego but later Apple Computer Employee #4 and a co-author of several QuickTime predecessors), and Raymond Erickson (harpsichordist, musicologist, and biographer of Bauer-Mengelberg). By the 1976 DARMS gathering a more heterogeneous group converged to discuss a broad range of work-in-progress based on encoding in general. Erickson created the first (and still most complete) DARMS user manual <ins style="font-weight: bold; text-decoration: none;">(1976)</ins>. Erickson's [http://symposium.music.org/index.php?option=com_k2&view=item&id=1782:musicomp-76-and-the-state-of-darms 1977 article] shows some core concepts of the language. </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://esf.ccarh.org/ccarh-wiki/DARMS-1976.pdf DARMS Manual 1976]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://esf.ccarh.org/ccarh-wiki/DARMS-1976.pdf DARMS Manual 1976]</div></td></tr> </table>

Esfield