22wikitest - Revision history

Esfield: /* MuseData: Open-source classical music archive */

2021-12-28T23:37:18Z

MuseData: Open-source classical music archive

← Older revision		Revision as of 23:37, 28 December 2021
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	=MuseData: Open-source classical music archive=		=MuseData: Open-source classical music archive=

			https://wiki.ccarh.org/wiki/Musedata

	=Computational musicology courses (Stanford University)=		=Computational musicology courses (Stanford University)=

Esfield: /* Volumes 11-15 */

2021-12-23T02:08:33Z

Volumes 11-15

← Older revision		Revision as of 02:08, 23 December 2021
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	*Asian Musicology		*Asian Musicology
	\|-		\|-
	\| [http://xx No. 15] \|\| [[file:CM15-01.PNG\|160px\|center\|thumb]] \|\| <i>Tonal Theory for the Digital Age</i>~~]\|\|~~		\| [http://xx No. 15] \|\| [[file:CM15-01.PNG\|160px\|center\|thumb]] \|\| <i>Tonal Theory for the Digital Age</i>
	*Cyclic-Distance Pattern in Diatonic Sets (O. Izmirli)		*Cyclic-Distance Pattern in Diatonic Sets (O. Izmirli)
	*Tonal Properties of Pitch-class Sets (D. Temeperley)		*Tonal Properties of Pitch-class Sets (D. Temeperley)

Esfield: /* Volumes 11-15 */

2021-12-23T02:06:09Z

Volumes 11-15

← Older revision		Revision as of 02:06, 23 December 2021
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	*Asian Musicology		*Asian Musicology
	\|-		\|-
	\| No. 15 ~~\|\| Example \|\| <i>Tonal Theory for the Digital Age</i>~~		\| [http://xx No. 15] \|\| [[file:CM15-01.PNG\|160px\|center\|thumb]] \|\| <i>Tonal Theory for the Digital Age</i>]\|\|
	\|
	\|\| [[file:CM15-01.PNG\|160px\|center\|thumb]] \|\| <i>Tonal Theory for the Digital Age<i>]
	*Cyclic-Distance Pattern in Diatonic Sets (O. Izmirli)		*Cyclic-Distance Pattern in Diatonic Sets (O. Izmirli)
	*Tonal Properties of Pitch-class Sets (D. Temeperley)		*Tonal Properties of Pitch-class Sets (D. Temeperley)

Esfield: /* Volumes 11-15 */

2021-12-23T01:58:46Z

Volumes 11-15

← Older revision		Revision as of 01:58, 23 December 2021
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	\|-		\|-
	\| No. 15 \|\| Example \|\| <i>Tonal Theory for the Digital Age</i>		\| No. 15 \|\| Example \|\| <i>Tonal Theory for the Digital Age</i>
			\|
			\|\| [[file:CM15-01.PNG\|160px\|center\|thumb]] \|\| <i>Tonal Theory for the Digital Age<i>]
	*Cyclic-Distance Pattern in Diatonic Sets (O. Izmirli)		*Cyclic-Distance Pattern in Diatonic Sets (O. Izmirli)
	*Tonal Properties of Pitch-class Sets (D. Temeperley)		*Tonal Properties of Pitch-class Sets (D. Temeperley)

Esfield: /* Computing in Musicology (series) */

2021-12-23T01:55:44Z

Computing in Musicology (series)

← Older revision		Revision as of 01:55, 23 December 2021
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	[https://wiki.ccarh.org/wiki/Publications_(CCARH) Computing in Musicology]		[https://wiki.ccarh.org/wiki/Publications_(CCARH) Computing in Musicology]

			===<b>Volumes 11-15</b>===
			Topical collections of articles published under the title <i>Computing in Musicology</i> by CCARH and distributed by The MIT Press.

			{\| class="wikitable"
			\|-
			! Vol. No. !! Cover !! Highlights
			\|-
			\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-11_CM11/20-11_CM11.pdf No. 11] \|\| [[file:CM11-01.PNG\|160px\|center\|thumb]] \|\|
			<i>Melodic Similarity: Concepts, Procedures, and Applications</i>
			*<i>Concepts and Procedures</i>
			**Conceptual and Representational Issues (E. Selfridge-Field)
			**Geometrical Algorithms (D. O'Maidin)
			**String-matching Techniques (T. Crawford et al.)
			**Sequence-based Melodic Comparison (L.A. Smith et al.)
			*<i>Tools and Applications</i>
			**Sorting Strategies (J. Howard)
			**Signatures and Earmarks (D. Cope)
			**Neural Models for Chorale Harmonization (D. Hörnel)
			**Melodic Pattern-Detection (N. Nettheim)
			**Rhythmic Elements of Melodic Practice (M. Yako)
			*<i>Human Melodic Judgments</i>
			**Melodic Similarity in Copyright Infringement (C. Cronin)
			**Human and Machine Authorship Judgments (E. Dahlig et al.)
			*<i>Online Tools for Melodic Search</i>
			**MELDEX (D. Bainbridge)
			**Themefinder (A. Körnstädt)

			\|-
			\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-12_CM12/20-12_CM12.pdf No. 12] \|\| [[file:CM12-01.PNG\|160px\|center\|thumb]] \|\|
			<i>The Virtual Score: Representation, Retrieval, and Restoration</i>
			*<i>Representation and Interchange</i>
			*<i>Retrieval and Analysis</i>
			*<i>Virtual Restoration of Sources</i>

			\|-
			\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-13_CM13/20-13_CM13.pdf No. 13] \|\| [[file:CM13-01.PNG\|160px\|center\|thumb]] \|\| <i>Music Query: Methods, Models, and User Studies</i>
			*Automatic Synchronization of Musical Data (V. Arifi et al.)
			*Modeling Rhythmic Motif Structure (T. Weyde)
			*Melody as a Significant Musical Feature (W. Chai)
			*Automatic Motivic Rules (O. Lartillot et al.)
			*A Measure of Cognitive Distance (E. Selfridge-Field)
			*Transportation Distances (F. Wiering et al.)
			*Spontaneous User Behavior in "Vocal" Queries (M. Lesaffre et al.)

			\|-
			\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-14_CM14/20-14_CM14.pdf No. 14] \|\| [[file:CM14-01.PNG\|160px\|center\|thumb]] \|\| <i>Music Analysis East and West</i>
			*European Musicology
			*Eurasian Musicology
			*Asian Musicology
			\|-
			\| No. 15 \|\| Example \|\| <i>Tonal Theory for the Digital Age</i>
			*Cyclic-Distance Pattern in Diatonic Sets (O. Izmirli)
			*Tonal Properties of Pitch-class Sets (D. Temeperley)
			*Navigating Tonal Space (P. Janata)
			*Toroidal Models of Tonal Theory (H. Purwins et al.)
			*Automatic Chord Identification (S. Sapp)
			*Assessing Disputed Attributions) P. van Kranenburg)
			*Affinities between Metric and Tonal Structures (A. Volk et al.)
			*Chordal Evaluation in MIDI-based Harmonic Analysis (E. Ferkova et al.)
			*Visualization of Tonal Content in Visual and Audio Domains (P. Toiviainen)
			\|}

			==Reprints==

	=Contact=		=Contact=

Esfield: /* Computing in Musicology (series) */

2021-12-23T01:45:33Z

Computing in Musicology (series)

← Older revision		Revision as of 01:45, 23 December 2021
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	==Computing in Musicology (series)==		==Computing in Musicology (series)==

			[https://wiki.ccarh.org/wiki/Publications_(CCARH) Computing in Musicology]

	=Contact=		=Contact=

Esfield: /* Publications (CCARH) */

2021-12-23T01:43:14Z

Publications (CCARH)

← Older revision		Revision as of 01:43, 23 December 2021
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	This digitized copy is used by permission of the publisher.		This digitized copy is used by permission of the publisher.

			==Computing in Musicology (series)==

	=Contact=		=Contact=

Esfield: /* Publications (CCARH) */

2021-12-21T23:27:20Z

Publications (CCARH)

← Older revision		Revision as of 23:27, 21 December 2021
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	<i>Beyond MIDI</i> originated as a project of the Study Group on Musical Data and Computer Applications of the International Musicological Society. At the time the study group was headed by Walter B. Hewlett and Eleanor Selfridge-Field. The systems defined within it were representative of the most active areas within this group. Until 1992 most applications were based on mainframe or minicomputer systems, but the parallel rise of MIDI and personal computers gave much broader scope to the possible avenues by which to pursue musical applications. The use of the internet was still limited in 1997, but this changed rapidly in the next few years.		<i>Beyond MIDI</i> originated as a project of the Study Group on Musical Data and Computer Applications of the International Musicological Society. At the time the study group was headed by Walter B. Hewlett and Eleanor Selfridge-Field. The systems defined within it were representative of the most active areas within this group. Until 1992 most applications were based on mainframe or minicomputer systems, but the parallel rise of MIDI and personal computers gave much broader scope to the possible avenues by which to pursue musical applications. The use of the internet was still limited in 1997, but this changed rapidly in the next few years.

	Website: [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf <i>Beyond MIDI: The Handbook of Musical Codes</i>], ed. Eleanor Selfridge-Field (1997).		Website: [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf <i>Beyond MIDI: The Handbook of Musical Codes</i>], ed. Eleanor Selfridge-Field (The MIT Press, 1997).

	This digitized copy is used by permission of the publisher.		This digitized copy is used by permission of the publisher.

	=Contact=		=Contact=

Esfield: /* Beyond MIDI: The Handbook of Musical Codes (The MIT Press, 1997) */

2021-12-21T23:18:01Z

Beyond MIDI: The Handbook of Musical Codes (The MIT Press, 1997)

← Older revision		Revision as of 23:18, 21 December 2021
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	<i>Beyond MIDI</i> originated as a project of the Study Group on Musical Data and Computer Applications of the International Musicological Society. At the time the study group was headed by Walter B. Hewlett and Eleanor Selfridge-Field. The systems defined within it were representative of the most active areas within this group. Until 1992 most applications were based on mainframe or minicomputer systems, but the parallel rise of MIDI and personal computers gave much broader scope to the possible avenues by which to pursue musical applications. The use of the internet was still limited in 1997, but this changed rapidly in the next few years.		<i>Beyond MIDI</i> originated as a project of the Study Group on Musical Data and Computer Applications of the International Musicological Society. At the time the study group was headed by Walter B. Hewlett and Eleanor Selfridge-Field. The systems defined within it were representative of the most active areas within this group. Until 1992 most applications were based on mainframe or minicomputer systems, but the parallel rise of MIDI and personal computers gave much broader scope to the possible avenues by which to pursue musical applications. The use of the internet was still limited in 1997, but this changed rapidly in the next few years.

	Website: [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf <i>Beyond MIDI: The Handbook of Musical Codes</i>, ed. Eleanor Selfridge-Field (1997).		Website: [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf <i>Beyond MIDI: The Handbook of Musical Codes</i>], ed. Eleanor Selfridge-Field (1997).

	This digitized copy is used by permission of the publisher.		This digitized copy is used by permission of the publisher.

	=Contact=		=Contact=

Esfield: /* Publications (CCARH) */

2021-12-17T23:36:25Z

Publications (CCARH)

← Older revision		Revision as of 23:36, 17 December 2021
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	=[https://wiki.ccarh.org/wiki/Publications_(CCARH) Publications (CCARH)]=		=[https://wiki.ccarh.org/wiki/Publications_(CCARH) Publications (CCARH)]=

			==<i>Beyond MIDI: The Handbook of Musical Codes</i> (The MIT Press, 1997)==

			<i>Beyond MIDI</i> originated as a project of the Study Group on Musical Data and Computer Applications of the International Musicological Society. At the time the study group was headed by Walter B. Hewlett and Eleanor Selfridge-Field. The systems defined within it were representative of the most active areas within this group. Until 1992 most applications were based on mainframe or minicomputer systems, but the parallel rise of MIDI and personal computers gave much broader scope to the possible avenues by which to pursue musical applications. The use of the internet was still limited in 1997, but this changed rapidly in the next few years.

			Website: [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf <i>Beyond MIDI: The Handbook of Musical Codes</i>, ed. Eleanor Selfridge-Field (1997).

			This digitized copy is used by permission of the publisher.

	=Contact=		=Contact=