INTERMEDIATE FILES FOR MUSIC PRINTING
November 28, 1990
(revised 5-28-93)
(revised 11-11-93)
(revised 9-15-94)
(revised 9-27-94)
(revised 2-25-95)
(revised 8-28-02)
(revised 1-06-04)
(revised 4-26-05)
(revised 3-18-06)
I. File Structure
Variable length ASCII records
Fields separated by blanks
II. Types of I-files
The first step is to generate an I-file for each individual
part. These "linear" I-files are non-page-specific; i.e. the clef,
key and time signatures occur only at the beginning of the file,
and there are no line breaks or page breaks. The reason for this
type of representation is that we may want to generate a printed
part, or we may want to generate a score.
The generation of a single part will lead to a page-specific
I-file for this part. The generation of a full score will lead to
a page-specific I-file for the score. There will be some slight
variation in representation for these page-specific files:
1. Lines will be broken and located on the page.
2. Clef, key and time signatures will be placed
at the begining of every line.
3. The hyphens betwen syllables of text underlay
locations.
4. Ties, slurs and extended hyphens will be
continued across line and page boundaries.
III. Record Types
Linear Files Page Specific (additional)
------------ --------------------------
Music Lines Systems
Objects Music Lines (page specific)
Sub-objects End of Music Line
Text (form of sub-object) System Bar
Words (form of sub-object) Page Text
Attribute (form for sub-object)
Super-objects
Q-records (linear only)
Tag records (linear only)
IV. Record Formats -- Linear Files
A. Music Lines
Field 1: Identifier = L (or small l = single line staff, e.g., for triangle)
Field 2: 0 = single staff; # = vertical offset of second staff
Field 3: vertical displacement of text line
Field 4: notesize (zero if not specified)
Field 5: part name (ASCII string)
B. Objects
Field 1: Identifier = J
Field 2: type of object B = bar line
C = clef
K = key signature
T = time signature
D = directive (e.g. time word, etc)
S = other symbol
N = note
R = rest
G = grace note
Q = cue note
F = figures
I = isolated directive or symbol (not
associated with a note, rest, or figure)
M = mark (mostly for superobjects)
Field 3: object code
Bar line: x = measure number if there be one, else zero
Clef: x = clef code
Key: x = key code
Time sig: x = time code (100 * tnum + tden)
Directive: 0 = print always (parts and score)
bit 0 set = print in parts
bit 1 set = print in score
bit 2 set = print if top part in score
bit 3 set = print if bottom part in score
(bit 1 over-rides bits 2 and 3)
Symbol: 0 = not identified
4 = extended rest
6 = whole measure rest
From the standpoint of typesetting for a score
the major difference between a directive and a
symbol is that a symbol will always be printed
whether or not the part stands alone or is part
of a score (e.g., letter dynamics), whereas a
directive can be "made invisible" in parts that
are not at the top or the bottom of a score
(e.g., the segno sign).
Notes: x = note type
Rests: x = rest type
Grace note: x = note type
Cue note: x = note type
Figure: 0
Isolated: same as for Directives
Mark: 0
Field 4: horizontal displacement measured in 32-bit precision
from beginning of piece
For objects which are groups of notes (chords),
the x co-ordinate is the position of the notes
which fall on the proper side of the stem. For
stem up, the object's position is that of the
note heads to the left of the stem; for stem down,
the object's position is that of the note heads
to the right of the stem.
Field 5: vertical displacement from top staff line
For objects which are groups of notes (chords), the
y co-ordinate is the position of the note which is
farthest from the note-end of the stem (and hence
closest to a beam, if there be one). This is impor-
tant for the proper setting of beams at print time.
For objects to be placed on the second (or greater)
staff of the grand staff, 1000 (2000) will be added
to the displacement. This means that the print
program must check the range of the displacement before
placing the object.
For Bar type objects, which always have a
y co-ordinate of 0, this field contains instead
the bar line code:
1 = single light bar
2 = single heave bar
3 = dotted bar
5 = double light bar
6 = light-heavy double bar
9 = heavy-light double bar
10 = heavy-heavy double bar
In case the bar object extends to more than one staff
an amount equal to 1000 times (n-1) where n is the
number of staves is added to the bar line code
Note: If the stage2 source file contains a print suggestion
modifying how mskpage deals with the music in the
measure following a bar line, this suggestion is
communicated to the mskpage program in this field.
The suggestion code is multiplied by 1,000,000 (one
million) and added to Field 5.
Print suggestions for dealing with music in a measure:
1 = do not modify the spacings in this measure when
justifying a line of music in a score (used only
by mskpage).
3 = same thing
If the stage2 source file contains a print suggestion
requesting that a particular bar line within a movement
should be right justified, this suggestion is
communicated to the mskpage program in this field by
adding 10,000,000 (ten million) to Field 5.
These print suggestions apply only to non-page-specific
files and are removed by mskpage (and mkpart) after they
are utilized. They do not appear in the page-specific
output.
Field 6: print code (or if < 32, number of sub-objects)
Field 7: space node number
1. Multiple rests -- number = measures of rest
2. Everything else -- number = division number
This number will indicate the division within the
measure to which the object belongs. The measure
is divided into 6912 (27 x 256) parts. Divisions
run from 1 to 6912. It is possible for several
objects to have the same space node number. These
objects will have separate numbers in the page-
specific format.
Field 8: distance increment flag. This flag describes the
distance from the preceding object, as well as an
attribute of the node:
0 = preceding distance should remain fixed
at print time
# = preceding distance may vary at print time;
parameter is the duration of the preceding
node, measured in units such that
576 = quarter note.
10000 = object will be centered between bar lines
(used only with whole measure rests)
Field 9: number of super-objects associated with this object
Fields 9a,b...,: super-object numbers
C. Sub-objects (these must follow directly after their associated
objects)
Field 1: Identifier = K (or k for "silent" Sub-objects)
Field 2: horiz. displacement, relative to object co-ordinate
Field 3: vertical displacement, relative to object co-ordinate
Field 4: print code of sub-object
D. Text (a form of sub-object attached to note or rest)
Field 1: Identifier = T
Field 2: horizontal displacement of text, relative to object
Note: Non-page-specific i-files may have a second
parameter attached to field 2 (separated by the "|"
character). The second parameter is the "ideal"
displacement of text, relative to the object note
under the assumption that we don't have to worry
about clashes with adjacent notes.
Field 3: vertical code (text line number, between 1 and 10)
The vertical code may be followed by the "|" character
and a y offset. The interpretation of the offset is
a displacement from the normal position of the line
(see page-specific lines below).
Field 4: ASCII string
If this field = "~", this means that this note is the
termination of a forward underline.
Field 5: indication of forward hyphen or underline character
- = forward hyphen
_ = forward underline character
. = " " " followed by .
, = " " " " " ,
: = " " " " " :
; = " " " " " ;
! = " " " " " !
? = " " " " " ?
* = nothing
Field 6: space taken up by ASCII string
E. Words (a form of sub-object attached to symbol)
Field 1: Identifier = W
Field 2: horizontal displacement of word(s), relative to
directive or symbol object
Field 3: vertical displacement
Field 4: font number
Field 5: ASCII string (including font designations)
F. Attributes (a form of sub-object attached to notes/rests)
The purpose of attributes is to communication information about
an object that is not represented precisely by purely graphical
information. An example is the duration of tuplets. The tuplet
super-object (H . X) references only the end points of a tuplet;
there is no precise way to determine the remaining objects whose
duration might be effected by the tuplet. When converting page
specific i-files to SCORE pmx files, we need to know the precise
duration of all notes. The only foolproof way to convey this
information is in an attribute. Attributes are ignored
in the printing process.
Field 1: Identifier = A
Field 2: type of attribute
1. D = duration
Field 3: numerator of duration
Field 4: denominator of duration
Duration is represented as a proper fraction.
1/4 = quarter note
1/2 = half note
etc.
In terms of divisions (from stage2 source representation)
the numerator is the number of divisions, and the denominator
is four times the divisions per quarter.
Field 5: tie (if present)
(no field) = situation not determined (older files)
0 = no tie
1 = tie to following note
2 = tie appended to selected pitches (multiple pitches only)
Note: In the case of a rest, field 5 may be used (optionally)
to indicate that the next duration in this track is
also a rest (a tied rest, in effect)
NOTE: Field 5 was introduced in Feb-2006 and might be absent
from some older i-files.
2. P = pitch
Field 3: track number (normally 1)
Field 4: base-40 pitch number (C4 = 163) (0 = rest)
Field 5: tie (in case of multiple pitches and ties)
0 = no tie
1 = tie to following note
NOTE: In case of multiple pitches, there will be multiple
A P ... records. A P ... records should not precede
A D ... records
G. Super-objects (these are things whose shapes depend on the
locations of more than one object. They generally follow
after all of their associated objects have been described
Field 1: Identifier = H
Field 2: super-object number
Field 3: type of super-object
B = beam
T = tie
S = slur (dotted slur)
X = tuple/bracket
W = wedge
D = word plus dashes
E = ending
R = long trills
V = octave transposition
F = figure extension
N = null super-object (no action)
Fields 4--: depend on the super-object type
G-1. Beams (type = B)
Fields 4 and 5:
Case I: Non-page-specific i-files
Field 4: 0 = beam above first object
1 = beam below first object
Note: If the stage2 source file contained a print suggestion
for modifying the length of the first stem of a beam,
this suggestion will be communicated to the mskpage
program in this field.
a) If the stem is to be lengthened (regardless of
whether it goes up or down), the suggested amount
of the change (in units of 1/10 of a staff line
distance) is multiplied by 100 and added to Field 4.
b) If the stem is to be shortened (regardless of
whether it goes up or down), the suggested amount
of the change (in units of 1/10 of a staff line
distance) is multiplied by 10000 and added to Field 4.
These print suggestions apply only to non-page-specific
files and are removed by mskpage (and mkpart) after they
are utilized. They do not appear in the page-specific
output.
Field 5: 0 or 1 = stem directions are all the same
> 1 = binary representation of stem direction.
If field 4 = 0, then bit set = stem up;
if field 4 = 1, then bit set = stem down;
Example: if field 4 = 1, then 101001010 =
down, up, down, up, up, down, up, down, up
Case II: Page-specific i-files
Field 4: length of first stem (positive = stem up)
Field 5: slope of beam
Field 6: font number
Field 7: number of associated objects
Fields 7a, b,... beam codes
beam code = up to 6 digit number
0 = no beam
1 = continue beam
2 = begin beam
3 = end beam
4 = forward hook
5 = backward hook
6 = single stem repeater
7 = begin repeated beam
8 = end repeated beam
1's digit = eight level beams
10's digit = 16th level beams
100's digit = 32nd level beams
1000's digit = 64th level beams
10000's digit = 128th level beams
100000's digit = 256th level beams
G-2. Ties (type = T)
Fields 4--6: locations of note heads to be tied
Field 4: vertical position of tied notes (position
measured in dots (300/inch) from top staff
line)
For ties on a virtual (second) staff, 1000 will be added
to this value.
Field 5: horizontal displacement of first note head from
associated object (non-zero only with chords)
Field 6: horizontal displacement of second note head from
associated object (non-zero only with chords)
Fields 7--9: Meaning depends on value of reset parameter (Field 11)
If reset parameter is 0
Field 7: (from print suggestion) horizontal displacement of
the left end of the tie relative to the default
computed position. Tie length will be changed.
Field 8: (from print suggestion) vertical displacement.
In most cases, displacement will be relative to
the default computed position. Adding 10000 (ten
thousand) to the number will make the displacement
relative to the tied note, itself.
Field 9: (from print suggestion) horizontal displacement of
the right end of the tie relative to the default
computed position. Tie length will be changed.
If reset paramter is > 0
Field 7: horizontal displacement from note head one
Field 8: vertical displacement from note head one
Field 9: font number
Field 10: situation flag
interference tips down tips up
stem staff space line space line
----- ----- ----- ---- ----- ----
no yes 1 5 9 13
no no 2 6 10 14
yes yes 3 7 11 15
yes no 4 8 12 16
Field 11: reset parameter flag (used in cases where
post-editing has specified non-standard parameters)
value action
----- ------
0 recompute position and font (normal setting)
1 do not recompute position
2 do not recompute font
3 do not recompute position or font
G-3. Slurs (dotted slurs) (type = S)
Field 4: situation flag
bit clear bit set
-------------- -------------
bit 0: full slur dotted slur
bit 1: stock slur custom slur
bit 2: first tip down first tip up
(*) bit 3: second tip down second tip up
(+) bit 4: compute stock slur hold stock slur
bit 5: print slur don't print slur
(*) used on custom slurs only
(+) used on stock slurs only
Field 5--8: position fields:
For stock slurs, these are displacements added to
the note positions before the slur number is
calculated. Displacements are measured in dots
(300/inch). Horizontal positive is forward to
the right; vertical positive is down.
For custom slurs, these displacements are the actual
starting point and ending points of the slur
relative to the first and second objects.
Field 5: (extra) horizontal displacement from
associated object one
Field 6: (extra) vertical displacement from
associated object one
Field 7: (extra) horizontal displacement from
associated object two
Field 8: (extra) vertical displacement from
associated object two
Field 9--10: parameter fields:
Stock slurs: Field 9: post adjustment to curvature
Field 10: beam flag 1 = set slur above beam
2 = set slur below beam
Custom slurs: Field 9: vertical height parameter
Field 10: length of flat portion as a
percent of span between end
points
Field 11--12: more parameters
Stock slurs: Field 11: post adjustment to x-position
negative = left; positive = right
Field 12: post adjustment to y-position
negative = up; positive = down
G-4. Tuplets/brackets (type = X)
Field 4: situation flag
bit clear bit set
-------------- -------------
bit 0: no tuplet number tuplet number
bit 1: no bracket bracket
bit 2: tips down tips up
bit 3: 0 tuplet aligns with beam
bit 4: tuple near notes tuple near beam
(bit 4 has meaning only if bit 3 is set)
bit 5: break bracket for number bracket is continuous
(bit 5 has meaning only if bit 0 is set)
bit 6: number outside bracket number inside bracket
(bit 6 has meaning only if bit 5 is set)
bit 7: bracket is square bracket is curved
(bit 7 has meaning only if bit 1 is set)
Field 5: tuplet number: value = 1000 * [second number] + first
or single number
Fields 6--10: parameters
Case I: bit 3 of sitflag = 0 (tuple not aligned with beam)
or bit 3 of sitflag = 1 and bit 4 of sitflag = 0
(tuple aligned with notes of beam)
Field 6: horizontal displacement from
associated object one
Field 7: vertical displacement from
associated object one
Field 8: horizontal displacement from
associated object two
Field 9: vertical displacement from
associated object two
Field 10: not used
Case II: bit 3 of sitflag = 1 (tuple aligned with beam)
Field 6: horizontal post adjustment to tuple
Field 7: vertical post adjustment to tuple
Field 8: horizontal post adjustment to tuple
Field 9: vertical post adjustment to tuple
Field 10: beam super-object number with which tuplet
aligns
G-5. Wedges (type = W)
Field 4: wedge size at left end
Field 5: wedge size at right end
Field 6: horizontal displacement from
associated object one
Field 7: vertical displacement from
top of staff
Field 8: horizontal displacement from
associated object two
Field 9: vertical displacement from
top of staff
G-6. Word(s) plus dashes (type = D)
Field 4: horizontal displacement from
associated object one
Field 5: horizontal displacement from
associated object two
Field 6: vertical displacement from staff lines
Field 7: spacing parameter
Field 8: font designator
G-7. Endings (type = E)
Field 4: situation flag
0 = ending with no number
1 = first ending
2 = second ending
3 = third ending
4 = fourth ending
The display/printing of ending superobjects is normally
suppressed for all staff lines below the top staff line
in a score. That is, the superobjects may be there, but
they are not displayed/printed. Adding 10 to the situation
flag will force the display/printing of an ending
superobject. For example:
11 = force the display/printing of first ending
12 = force the display/printing of second ending
Field 5: horizontal displacement from
associated object one
Field 6: horizontal displacement from
associated object two
Field 7: vertical displacement from staff lines
Field 8: length of left vertical hook
Field 9: length of right vertical hook
G-8. Long trills (type = R)
Field 4: situation 1 = no trill
2 = trill with no accidental
3 = trill with sharp
4 = trill with natural
5 = trill with flat
6 = trill with sharp following New 11/05/05
7 = trill with natural following "
8 = trill with flat following "
Field 5: horizontal displacement from
associated object one
Field 6: horizontal displacement from
associated object two
Field 7: vertical displacement from
associated object one
G-9. Octave transposition (type = V)
Field 4: situation 0 = 8ve up, 1 = 8ve down
2 = 15 up, 3 = 15 down
Field 5: horizontal displacement from
associated object one
Field 6: horizontal displacement from
associated object two
Field 7: vertical displacement from
associated object one
Field 8: length of vertical hooks
G-10. Figure extension (type = F)
Field 4: level 1,2,3 or 4
Field 5: horizontal displacement from
associated object one
Field 6: horizontal displacement from
associated object two
Field 7: additional vertical displacement from
default height
H. Q-records (linear only)
Field 1: Identifier = Q (one field only)
A Q-record is used to force MSKPAGE to make a page
break. At the moment, these are not incerted by
AUTOSET; they must be added by hand to a linear
i-file.
I. Tag records (linear only)
Field 1: Identifier = Y
Tags are incerted into linear i-files by AUTOSET. Their purpose
is pass instructions and information to MSKPAGE. They are not
propogated into page-specific i-files.
Field 2: type of tag P = print abbreviated part name
U = line control
I-1. Part name (type = P)
This tag signals MSKPAGE that from this point in the score
(until cancelled), MSKPAGE is to append the designated
abbreviated part name to the left of the staff line containing
this part.
Field 3: font number (0 = turn this feature off after
typesetting the current line)
Field 4: ASCII string (includine font designations)
I-2. Line control (type = U)
This tag sends MSKPAGE instructions to help it determine
whether or not to DELETE this part from a particular system.
MSKPAGE starts by typesetting (logically) all parts in the
system. It then uses these tags to determine which parts
in a particular system are "extraneous."
Field 3: control code 0 = nullify the previous control code
(i.e., return to normal rules)
1 = tag the current and all subsequent
measures as type-1
2 = tag the current and all subsequent
measures as type-2
Type-1 measure: Delete a line of music if every one of its
measures is type-1. This is used to suppress
a "dominant" representation of a part.
Type-2 measure: Delete a line of music if any one of its
measures is type-2. This is used to suppress
a "non-dominant" representation of a part.
The "dominant" version of a part is the one which contains
the most or greatest variety of information.
For example, when a section (e.g., Violin I) divides into
two sections (divisi) and is represented on two staves,
this becomes the "dominant" version of the part, because on
a system-line basis it over-rides and must replace the single
line version of the part. The divisi parts will be flagged
as type-1 up to the point where they diverge (or where the
music engraver definitely wants them on two staves). The
single line part will be normal (considered printable) up
to the point where the divisi parts take over and will be
flagged as type-1 thereafter. At the point where the
divisi goes away, the divisi parts are again flagged as
type-1 and the type-2 designation for the single line
is cancelled.
V. Record Formats for Page Specific Record Types
A. Systems
Field 1: Identifier = S
Field 2: 0
Field 3: x co-ordinate of system on page
Field 4: y co-ordinate of system on page
Field 5: horizontal length of system
Field 6: vertical length of system
Field 7: number of lines in system
Field 8: control string in double quotes (null string allowed)
The control string describes how the lines of the system
are bound together on the left, and where bar lines stop
and start between the staff lines. The control string
consists of the following elements:
[ = start bracket
] = end bracket
{ = start brace
} = end brace
( = start bar line
) = end bar line
. = part with a single staff line
: = part with a grand staff (piano)
What defines a system (holds it together) is a single
vertical line on the left. To the left of this line can
appear an arrangement of brackets and braces, which help
the reader group the lines in the system.
The bar lines in a system have their own (vertical) pattern
of starting and stopping. These are indicated in the control
string by the placement of the '(' ')' characters. The '('
character indicates the start of a bar line on the top staff
line of the part indicated by the next dot (.:,;); and the
')' character indicates the end of a bar line on the bottom
staff line of the part indicated by the previous dot (.:,;).
Examples: (.) creates a bar line through one set of
staff lines
(:) creates a bar line through a grand staff
(two sets staff lines)
(..) creates a bar line which starts at the top
of the first staff line and ends at the
bottom of the second staff (i.e., two
independent parts with a bar line
connecting them together).
(.)(.) creates a bar line through each of the
staff lines separately, with no
connection between them.
All segments of a system bar line must be specified. The
control string "{..}" will produce a a brace on the left, but
no bar lines will appear. In this case, one must either
specify "{(.)(.)}", meaning two bar lines with no connection,
or "{(..)}", meaning one bar line crossing both staff lines.
The control string "(....)(.):{..}..." would produce the
funny looking result of having no bar lines in the piano part
or in the (string) parts below them.
As a short cut for convenience, the '[' character also doubles
as a '(' character, and the ']' character also doubles as a ')'
character. This allows one to write "[....]" as a shortcut for
"[(....)]". Shortcuts are handy, but they can have unintended
side affects. In the example above, modifying control string
with outside square brackets (i.e., "[(....)(.):{..}...]" )
will produce bar lines for all staff lines, but may not connect
the staff lines in a manner the user intends. This control
string will produce a solid bar line from the fifth staff line
through to the bottom. If this were the control line for a
score of a piano concerto with four woodwinds, timpani, piano
and strings, it might have the following form.
"[(....)(.)(:)({..}...)]"
The staff lines in a system are normally of the same size, but
it is possible to combine staff lines of different sizes in the
same system. When this is done, the print and display software
must decide what font size to use for printing the various bar
lines, braces, and brackets. At the moment, the decision is
made in the following way:
1. The left line, and all braces and brackets are printed
using the same font size. The default is to use the font
size from the bottom staff line. If the size from a
different staff line is desired, this should be indicated
by replacing the dot for that staff line with a comma, or
in the case of the grand staff replacing the colon with a
semi-colon. If more than one comma/semi-colon appears, the
largest of the indicated sizes will be used.
2. As stated above, bar lines can run through one or more staff
lines, and they can be printed in different sizes (widths).
(a) If a bar line runs through only one staff, then it is
printed in the font size of that staff.
(b) If a bar line runs through multiple staves of the same
font size, then it is printed in that font size.
(c) If a bar line connects staves of different font sizes
the default size for the bar line is given by the
size of the bottom staff. If the size of another
staff is desired, this is indicated by replacing the
dot for that staff line with a comma, or in the case
of the grand staff replacing the colon with a semi-
colon. If more than one comma/semi-colon appears,
the largest of the indicated sizes will be used.
3. These rules will work in most situations, but there are some
limitations. In cases 2(a) and 2(b) you cannot use a font
size different from that of the staff size to print bars.
You cannot, for example, use one font size to print all
segments of a bar line in the case where the segments span
staff sets of different sizes. It is possible to remove
these limitations, but this would require a more elaborate
definition of the control string (such as allowing the
font size for each bar segment to be specified explicitly).
At this stage of development, such an elaboration seems
excessive and unnecessary.
B. Music Lines (page specific)
Field 1: Identifier = L (or small l = single line staff, e.g., for triangle)
Field 2: y off-set in system
Field 3: text off-set(s) from line (separated by |)
Fields 4--7: parameters carried over from previous line
Field 4: dyoff(s)
Field 5: uxstart(s)
Field 6: backloc(s)
Field 7: xbyte(s) (length of field = number of text lines)
Field 8: y off-set to virtual staff line (0 = none)
Field 9: notesize (optional; 0 = none)
Field 10: additional vertical off-set for figured harmonies (0 = none)
Note: Field 10 cannot exist without Field 9
C. End of Music Line
Field 1: Identifier = E
Field 2: xbyte(s) at end of line (length of field = number of bytes)
D. System Bar
Field 1: Identifier = B
Field 2: bar type Single bars Double Bars
----------- -----------
1 = simple 5 = double light
2 = heavy 6 = light-heavy
3 = dotted 9 = heavy-light
10 = heavy-heavy
25 = heavy-light with
99 = no bar repeat dots
Field 3: x off-set from beginning of line
Field 4: number of breaks in line (to avoid interference with
text and other designations)
Fields 5--: parameter pairs, beginning and ending of breaks
E. Page Text
Field 1: Identifier = X
Field 2: font number
Field 3: x co-ordinate of beginning of text
Field 4: y co-ordinate of text line
Field 5: ASCII text
The ASCII text may contain font change instructions. The sequence
is the "!" character, followed by a two digit number (which at the
moment must be between 30 and 48), followed optionally by the "|"
character, which serves as a terminator to the font change instruction.
The need for a terminator arises because in the future we may not want
to restrict the font change number to exactly two digits. If the
display software finds a "|" following a string of digits following
the "!" character, it will consider this a terminator and remove
it from the text along with the font change command. To print/display
the "|" character immediately following a font change, use the "|"
twice.
Special case:
If the page text record has only two fields, the letter X and
a number, then the number is interpreted as a new value for
notesize. This record has meaning only when multiple print
sizes are being used, i.e., "multiflag" is set to 1 in
pskpage, eskpage, dskpage, etc.
F. Tagged Page Text
Field 1: Identifier = Y
Field 2: font number (if this = 0, then no print/display)
Field 3: x co-ordinate of beginning of text
Field 4: y co-ordinate of text line
Field 5: ASCII text
In addition to the font change instructions in "X" records, these "Y"
records also support a system of tagged fields. Listed below are
the tagging sequences and their functions.
\< = begin tag structure. A tag structure has two components:
the tag, and the data field being tagged. The tag comes
first and may contain any ASCII characters except the "|"
character, which is interpreted as "End of Tag." Immediately
following the "|" is the data field. This is terminated
by the "end tag structure" sequence.
\> = end tag structure.
\] = break tag structure. It is possible for a tag data field to
continue over to a line or page boundary. In this case,
the tag structure must be broken at the end of the line
and restarted at the beginning of the next line.
\[ = restart tag structure. A tag structure can only be restarted
if it was broken on the previous line (or last line of the
previous page). It is a requirement that the tag (first
component of the tag structure) be restated. In theory,
the software could reconstruct the tag, but in the case
where the data field extends over several lines, this
could prove cumbersome. Therefore, following the "\["
sequence comes the tag, followed by the "|" character,
followed by a continuation of the data field.
Under this structure, it is possible to have nested tags. This
feature could prove useful. For example, suppose we are interested
in tagging names, and suppose we are also interested in knowing
the first name and the last name. We could implement this with
three tags: name, fname, and lname. Now suppose we want to tag
the name in the line of text "According to Lowell Lindgren,"
The Y record might appear as follows:
Y 37 50 140 According to \<name|\<fname|Lowell\> \<lname|Lindgren\>\>,
(highlighted in green is the "outer" or "primary" tag, with its
endpoints; highlighted orange are two "inner" or "secondary" tags
with their endpoints.
If this structure were broken across a line boundary, it might
look like this
Y 37 50 140 According to \<name|\<fname|Lowell\>\]
Y 37 50 180 \[name|\<lname|Lindgren\>\>, there was a cantata
What this allows the software to know is that the first name "Lowell"
and the last name "Lindgren" are part of the same name, even though
they occur on separate lines.
G. Meta-data records
Field 1: Identifier = @
This line is ignored by the display/print software, but may contain
important information related to the description or structure of the
data.
Some uses of @-records:
1. Source ID.
Field 2: "SOURCE:"
Field 3: <File ID>
Filed 4: <[md5sum: ... ]>
The idea is to represent all of the sources that contributed to
making this page (or musical example). The Source ID records
should normally follow the Z-header records. In cases where
there are no Z-header records, the Source ID record should
appear before the first system (and before any @ SYSTEM: records).
2. Movement ID. + Info
Field 2: "MVT:"
Field 3: Type of data
N = name Field 4: = movement name
P = part Field 4: = part number
Field 5: = <sub-part numbers> enclosed in carrot brackets
numbers separated by commas, null-set allowed
Field 6: = part name
L = line Field 4: = line index number
Field 5: = <part numbers for each track> enclosed
numbers separated by commas, no null set allowed
If the first field inside the <..> string is an
"x", this indicates a keyboard part, which is
non-divisible and multi-track. The numbers that
follow, e.g., "<x,#,#,..>" are the part numbers
assigned to the various keyboard tracks.
Field 6: = line name
Note: "part" means any part or group of parts. If there are two
oboes, then there are likely to be three parts: oboe-1,
oboe-2, and oboes.
"line" means any line compiled by AUTOSET for purposes of
making a score. For the bass strings, there are often
three lines: cello, basso, and cello + basso. These
three lines never appear in the same system; either
the cello and basso appear as separate lines, or they
appear combined on the same, single line.
3. System ID.
Field 2: "SYSTEM:"
Field 3: ASCII string
The purpose of this record is to identify the composer,
work, and movement to which this system belongs. This
information (if present) will be used by the search program
to identify "hits." This record should be located just
above the System record to which it applies.
There is an option to include a bar line number in this
ASCII string. If this is to be used, the number must
occur at the beginning of the string, and must be enclosed
in < > brackets, e.g., <28>, with no space following.
4. Line ID.
Field 2: "LINE:"
Field 3: line index number (for joining lines between systems)
Field 4: ASCII string
The purpose of this record is to identify the instrument(s)
or the voice represented on this staff line. This information
(if present) will be used by the search program to identify
"hits." This record should be located just above the Line
record to which it applies.
5. Line Text(s)
Field 2: "TEXT:"
Field 3: ASCII string
The purpose of this record is to provide a searchable ASCII
string containing the text (underlay) represented on the line.
This record should be located just below the Line record to
which it applies. In cases where there is multiple text
underlay (e.g., some Bach chorals), there will be mulitple
@ TEXT: records.
6. Comment.
Field 2: "COMMENT:"
Field 3: ASCII string
7. Grid data. (scribe program)
Field 2: "GRID:"
Field 3: Command Set (includes grid units per measure)
Field 4: Notation represented by one grid unit, e.g. 7 = quarter note
Field 5: Minumum grid spacing
The purpose of this record is to provide the scribe program with
parameters it needs to implement cursor movement along the grid
This record, if it exists will alway be at the top of the file.
8. Pointer data. (scribe program)
Field 2: "POINTERS:"
Field 3: pointer to the next note (or rest) object (index into pointers array)
Field 4: pointer to the previous note (or rest) object (index into pointers array)
The purpose of this record is to store various pointers used by the
scribe program. The values have meaning only in the context of that
program and of the working pointers it creates. The @POINTERS: record,
if it exists will always following directly after the object record to
which it refers.