https://wiki.ccarh.org/index.php?title=Music_253&feed=atom&action=history
Music 253 - Revision history
2024-03-28T14:15:09Z
Revision history for this page on the wiki
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https://wiki.ccarh.org/index.php?title=Music_253&diff=12519&oldid=prev
Esfield: /* The Music Encoding Initiative (MEI) */
2023-08-27T19:12:34Z
<p><span dir="auto"><span class="autocomment">The Music Encoding Initiative (MEI)</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 19:12, 27 August 2023</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====The Music Encoding Initiative (MEI)====</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====The Music Encoding Initiative (MEI)====</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The [http://music-encoding.org/home Music Encoding Initiative] <del class="diffchange diffchange-inline">seeks to provide </del>non-commercial <del class="diffchange diffchange-inline">standards for the </del>encoding of original musical sources such that the content of the original materials can <del class="diffchange diffchange-inline">ne </del>represented as literally as possible <del class="diffchange diffchange-inline"> </del>. As a predecessor of both [http://en.wikipedia.org/wiki/HTML HTML] and [http://en.wikipedia.org/wiki/XML XML], [http://en.wikipedia.org/wiki/Standard_Generalized_Markup_Language Standard Generalized Markup Language] can be viewed as the primogenitor of projects such as the Text Encoding Initiative ([http://en.wikipedia.org/wiki/Text_Encoding_Initiative TEI]) and [http://en.wikipedia.org/wiki/Music_Encoding_Initiative MEI]. MEI is an XML-based approach suited to the markup of both musical and partially musical materials (i.e., texts with interpolations of music).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The [http://music-encoding.org/home Music Encoding Initiative] <ins class="diffchange diffchange-inline">serves </ins>non-commercial <ins class="diffchange diffchange-inline">users in </ins>encoding <ins class="diffchange diffchange-inline">graphical details </ins>of original musical sources such that the content of the original materials can <ins class="diffchange diffchange-inline">be </ins>represented as literally as possible <ins class="diffchange diffchange-inline">for publication online and in print</ins>. As a predecessor of both [http://en.wikipedia.org/wiki/HTML HTML] and [http://en.wikipedia.org/wiki/XML XML], [http://en.wikipedia.org/wiki/Standard_Generalized_Markup_Language Standard Generalized Markup Language] can be viewed as the primogenitor of projects such as the Text Encoding Initiative ([http://en.wikipedia.org/wiki/Text_Encoding_Initiative TEI]) and [http://en.wikipedia.org/wiki/Music_Encoding_Initiative MEI]. MEI is an XML-based approach suited to the markup of both musical and partially musical materials (i.e., texts with interpolations of music).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[http://music-encoding.org/documentation Documentation and sample encodings] are available here.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[http://music-encoding.org/documentation Documentation and sample encodings] are available here.</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Music_253&diff=12518&oldid=prev
Esfield: /* Cross-domain interchange */
2023-08-27T18:51:25Z
<p><span dir="auto"><span class="autocomment">Cross-domain interchange</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 18:51, 27 August 2023</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Cross-domain interchange====</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Cross-domain interchange====</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Attempts have been made to develop cross-domain interchange schemes<del class="diffchange diffchange-inline">, but to date none have been successful</del>. The default "cross-domain" application is [http://en.wikipedia.org/wiki/MIDI MIDI], to which we devote attention above. Since, however, MIDI represents only five parameters of music, its use in this capacity generally filters out other parameters from the original format, which must then be re-encoded in the new one.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Attempts have been made to develop cross-domain interchange schemes. The default "cross-domain" application is [http://en.wikipedia.org/wiki/MIDI MIDI], to which we devote attention above. Since, however, MIDI represents only five parameters of music, its use in this capacity generally filters out other parameters from the original format, which must then be re-encoded in the new one<ins class="diffchange diffchange-inline">. MusicXML, which is based largely on MuseData, is increasingly used for interchange between notation formats</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Applications of Musical Information==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Applications of Musical Information==</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Music_253&diff=5506&oldid=prev
Esfield: /* References */
2015-01-17T00:12:34Z
<p><span dir="auto"><span class="autocomment">References</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 00:12, 17 January 2015</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>1. [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf <i>Beyond MIDI: The Handbook of Musical Codes</i><del class="diffchange diffchange-inline">]</del>], ed. Eleanor Selfridge-Field. Cambridge, MA: The MIT Press, 1997. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>1. [http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf <i>Beyond MIDI: The Handbook of Musical Codes</i>], ed. Eleanor Selfridge-Field. Cambridge, MA: The MIT Press, 1997. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>2. Musical symbol <del class="diffchange diffchange-inline">list (incomplete): </del>[http://en.wikipedia.org/wiki/List_of_musical_symbols <del class="diffchange diffchange-inline">http://en</del>.<del class="diffchange diffchange-inline">wikipedia</del>.<del class="diffchange diffchange-inline">org/wiki/List_of_musical_symbols]</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>2. Musical symbol [http://en.wikipedia.org/wiki/List_of_musical_symbols <ins class="diffchange diffchange-inline">list]. N.B</ins>. <ins class="diffchange diffchange-inline">Symbols used in music notation are constantly increasing in response to changes in musical style</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>3. Repp, Bruno. "Variations on a Theme by Chopin: Relations between Perception and Production of Timing in Music,<del class="diffchange diffchange-inline">" </del><i>Journal of Experimental Psychology: Human Perception and Performance</i>, 24/3 (1998), 791-811 <del class="diffchange diffchange-inline">[ http://www.brainmusic</del>.<del class="diffchange diffchange-inline">org/EducationalActivitiesFolder/Repp_Chopin1998.pdf]</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>3. Repp, Bruno. <ins class="diffchange diffchange-inline">[http://www.brainmusic.org/EducationalActivitiesFolder/Repp_Chopin1998.pdf </ins>"Variations on a Theme by Chopin: Relations between Perception and Production of Timing in Music<ins class="diffchange diffchange-inline">"]</ins>, <i>Journal of Experimental Psychology: Human Perception and Performance</i>, 24/3 (1998), 791-811. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>4. Steinbeck, Wolfram. <i>Struktur und Ähnlichkeit. Methoden automatisierter Melodienanalyse</i> (<i>Kieler Schriften zur Musikwissenschaft</i> 25). Habilitationsschrift. Kassel, 1982.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>4. Steinbeck, Wolfram. <i>Struktur und Ähnlichkeit. Methoden automatisierter Melodienanalyse</i> (<i>Kieler Schriften zur Musikwissenschaft</i> 25). Habilitationsschrift. Kassel, 1982.</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Music_253&diff=5347&oldid=prev
Craig: /* Typesetting Codes: CMN, MusiXTeX, Lilypond, Guido, ABCplus */
2015-01-07T20:58:20Z
<p><span dir="auto"><span class="autocomment">Typesetting Codes: CMN, MusiXTeX, Lilypond, Guido, ABCplus</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:58, 7 January 2015</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Two more collaborative programs for typesetting are Guido and ABCplus. [http://www.noteserver.org/salieri/nview/noteserver.html Guido] is designed for changeable typesetting instructions, for producing materials for websites, and for accommodating custom extensions. Fundamentals of Guido can be found at Craig Sapp's [[Guido_Music_Notation|Guido tutorial]].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Two more collaborative programs for typesetting are Guido and ABCplus. [http://www.noteserver.org/salieri/nview/noteserver.html Guido] is designed for changeable typesetting instructions, for producing materials for websites, and for accommodating custom extensions. Fundamentals of Guido can be found at Craig Sapp's [[Guido_Music_Notation|Guido tutorial]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>ABCplus builds on the monophonic ABC code, which was originally developed for folksong melodies. Some of the history of the original code [http://en.wikipedia.org/wiki/Abc_notation history] is recounted on a wiki page. Craig Sapp provides [<del class="diffchange diffchange-inline">http://wiki.ccarh.org/wiki/</del>ABC_Plus brief instructions] for and comments on its use.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>ABCplus builds on the monophonic ABC code, which was originally developed for folksong melodies. Some of the history of the original code [http://en.wikipedia.org/wiki/Abc_notation history] is recounted on a wiki page. Craig Sapp provides [<ins class="diffchange diffchange-inline">[</ins>ABC_Plus<ins class="diffchange diffchange-inline">|</ins>brief instructions<ins class="diffchange diffchange-inline">]</ins>] for and comments on its use.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Polyphonic Codes: DARMS and SCORE====</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Polyphonic Codes: DARMS and SCORE====</div></td></tr>
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Craig
https://wiki.ccarh.org/index.php?title=Music_253&diff=5346&oldid=prev
Craig: /* Typesetting Codes: CMN, MusiXTeX, Lilypond, Guido, ABCplus */
2015-01-07T20:56:35Z
<p><span dir="auto"><span class="autocomment">Typesetting Codes: CMN, MusiXTeX, Lilypond, Guido, ABCplus</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The evolution of typesetting from metal through photo-offset to modern digital preparation and printing necessarily changed approaches to music printing. [http://lilypond.org/text-input.html Lilypond], a text-based engraving program, sits somewhat in the tradition of these earlier approaches.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The evolution of typesetting from metal through photo-offset to modern digital preparation and printing necessarily changed approaches to music printing. [http://lilypond.org/text-input.html Lilypond], a text-based engraving program, sits somewhat in the tradition of these earlier approaches.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Two more collaborative programs for typesetting are Guido and ABCplus. [http://www.noteserver.org/salieri/nview/noteserver.html <del class="diffchange diffchange-inline">Guido </del>Guido] is designed for changeable typesetting instructions, for producing materials for websites, and for accommodating custom extensions. Fundamentals of Guido can be found at Craig Sapp's [<del class="diffchange diffchange-inline">http://wiki.ccarh.org/wiki/</del>Guido_Music_Notation Guido tutorial].</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Two more collaborative programs for typesetting are Guido and ABCplus. [http://www.noteserver.org/salieri/nview/noteserver.html Guido] is designed for changeable typesetting instructions, for producing materials for websites, and for accommodating custom extensions. Fundamentals of Guido can be found at Craig Sapp's [<ins class="diffchange diffchange-inline">[</ins>Guido_Music_Notation<ins class="diffchange diffchange-inline">|</ins>Guido tutorial<ins class="diffchange diffchange-inline">]</ins>].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ABCplus builds on the monophonic ABC code, which was originally developed for folksong melodies. Some of the history of the original code [http://en.wikipedia.org/wiki/Abc_notation history] is recounted on a wiki page. Craig Sapp provides [http://wiki.ccarh.org/wiki/ABC_Plus brief instructions] for and comments on its use.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ABCplus builds on the monophonic ABC code, which was originally developed for folksong melodies. Some of the history of the original code [http://en.wikipedia.org/wiki/Abc_notation history] is recounted on a wiki page. Craig Sapp provides [http://wiki.ccarh.org/wiki/ABC_Plus brief instructions] for and comments on its use.</div></td></tr>
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Craig
https://wiki.ccarh.org/index.php?title=Music_253&diff=5345&oldid=prev
Esfield: /* For notation */
2015-01-07T20:44:22Z
<p><span dir="auto"><span class="autocomment">For notation</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:44, 7 January 2015</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l73" >Line 73:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Statistical measures give little guidance on the efficiency of various input methods. A claimed 90% accuracy rate means little if barlines are in the wrong place, clef changes have been ignored, text underlay is required, and so forth. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Statistical measures give little guidance on the efficiency of various input methods. A claimed 90% accuracy rate means little if barlines are in the wrong place, clef changes have been ignored, text underlay is required, and so forth. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:GuidoKeyboard.png|425px|thumb|left|Virtual keyboard used by the Guido Notation System. Pitch can be entered from it. Duration is specified from the menu of note values above the keyboard. The resulting code, which can also be written by hand, is shown in the upper window.]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:GuidoKeyboard.png|425px|thumb|left|Virtual keyboard used by the <ins class="diffchange diffchange-inline">[https://en.wikipedia.org/wiki/GUIDO_music_notation </ins>Guido Notation System<ins class="diffchange diffchange-inline">]</ins>. Pitch can be entered from it. Duration is specified from the menu of note values above the keyboard. The resulting code, which can also be written by hand, is shown in the upper window.]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Visual prompts for data entry to a virtual keyboard may help novices come to grips with the complexity of musical data. Musicians are accustomed to grasping from conventional notation several features--pitch, duration, articulation--from one reading pass because a musical note combines information about these features in one symbol. However, computers cannot reliably decode these synthetic lumps of information.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Visual prompts for data entry to a virtual keyboard may help novices come to grips with the complexity of musical data. Musicians are accustomed to grasping from conventional notation several features--pitch, duration, articulation--from one reading pass because a musical note combines information about these features in one symbol. However, computers cannot reliably decode these synthetic lumps of information.</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Music_253&diff=4329&oldid=prev
Esfield: /* The Music Encoding Initiative (MEI) */
2014-01-18T02:44:09Z
<p><span dir="auto"><span class="autocomment">The Music Encoding Initiative (MEI)</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:44, 18 January 2014</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====The Music Encoding Initiative (MEI)====</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====The Music Encoding Initiative (MEI)====</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The Music Encoding Initiative seeks to provide non-commercial standards for the <del class="diffchange diffchange-inline">generalized </del>encoding of <del class="diffchange diffchange-inline">materials containing music </del>such that the content of the original materials <del class="diffchange diffchange-inline">is preserved </del>as literally as possible<del class="diffchange diffchange-inline">, while the preparation of new renderings is not inhibited</del>. As a predecessor of both [http://en.wikipedia.org/wiki/HTML HTML] and [http://en.wikipedia.org/wiki/XML XML], [http://en.wikipedia.org/wiki/Standard_Generalized_Markup_Language Standard Generalized Markup Language] can be viewed as the primogenitor of projects such as the Text Encoding Initiative ([http://en.wikipedia.org/wiki/Text_Encoding_Initiative TEI]) and [http://en.wikipedia.org/wiki/Music_Encoding_Initiative MEI]. MEI is an XML-based approach suited to the markup of both musical and partially musical materials (i.e., texts with interpolations of music).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The <ins class="diffchange diffchange-inline">[http://music-encoding.org/home </ins>Music Encoding Initiative<ins class="diffchange diffchange-inline">] </ins>seeks to provide non-commercial standards for the encoding of <ins class="diffchange diffchange-inline">original musical sources </ins>such that the content of the original materials <ins class="diffchange diffchange-inline">can ne represented </ins>as literally as possible <ins class="diffchange diffchange-inline"> </ins>. As a predecessor of both [http://en.wikipedia.org/wiki/HTML HTML] and [http://en.wikipedia.org/wiki/XML XML], [http://en.wikipedia.org/wiki/Standard_Generalized_Markup_Language Standard Generalized Markup Language] can be viewed as the primogenitor of projects such as the Text Encoding Initiative ([http://en.wikipedia.org/wiki/Text_Encoding_Initiative TEI]) and [http://en.wikipedia.org/wiki/Music_Encoding_Initiative MEI]. MEI is an XML-based approach suited to the markup of both musical and partially musical materials (i.e., texts with interpolations of music).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">A tutorial on encoding with MEI has recently become </del>[http://music-encoding.org/<del class="diffchange diffchange-inline">support/MEI1st </del>available<del class="diffchange diffchange-inline">]</del>.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[http://music-encoding.org/<ins class="diffchange diffchange-inline">documentation Documentation and sample encodings] are </ins>available <ins class="diffchange diffchange-inline">here</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Cross-domain interchange====</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Cross-domain interchange====</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Music_253&diff=4328&oldid=prev
Esfield: /* Plaine and Easie Code */
2014-01-18T01:26:55Z
<p><span dir="auto"><span class="autocomment">Plaine and Easie Code</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 01:26, 18 January 2014</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=====Plaine and Easie Code=====</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=====Plaine and Easie Code=====</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The purpose of Plaine and Easie (P&E) code was to prepare virtual catalogues of musical manuscripts. It was designed to give an exact, complete description of every indication on a musical score. Although only incipits (beginning passages) are encoded, a P&E encoding might include a tempo and dynamics; grace notes, appoggiaturas, and other [http://en.wikipedia.org/wiki/Appoggiatura#Appoggiatura ornaments]; marks for [http://en.wikipedia.org/wiki/Articulation_(music) staccato and legato], and so forth. It will be based on the original, unedited music including [http://en.wikipedia.org/wiki/Clef clef signs] rarely seen today and word spellings that may be obsolescent. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The purpose of <ins class="diffchange diffchange-inline">[http://www.iaml.info/activities/projects/plain_and_easy_code </ins>Plaine and Easie (P&E)<ins class="diffchange diffchange-inline">] </ins>code was to prepare virtual catalogues of musical manuscripts. It was designed to give an exact, complete description of every indication on a musical score. Although only incipits (beginning passages) are encoded, a P&E encoding might include a tempo and dynamics; grace notes, appoggiaturas, and other [http://en.wikipedia.org/wiki/Appoggiatura#Appoggiatura ornaments]; marks for [http://en.wikipedia.org/wiki/Articulation_(music) staccato and legato], and so forth. It will be based on the original, unedited music including [http://en.wikipedia.org/wiki/Clef clef signs] rarely seen today and word spellings that may be obsolescent. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>P&E has always been associated with the international [http://www.rism.info/ RISM <del class="diffchange diffchange-inline">music-bibliographical </del>project<del class="diffchange diffchange-inline">], and particularly with the cataloguing of </del>music manuscripts from the seventeenth and eighteenth centuries. At this writing (<del class="diffchange diffchange-inline">August 2012</del>) the online [http://opac.rism.info/index.php?id=2&L=1 RISM database] of manuscripts contains c. <del class="diffchange diffchange-inline">800</del>,000 entries, which come from more than 60 countries. <del class="diffchange diffchange-inline">The project </del>was begun in 1952<del class="diffchange diffchange-inline">. Much of the material available online today was initially transcribed on paper</del>. The database structure in which the musical data exists has more than a hundred text fields and is searchable in many ways. Links to the digitized manuscripts directly from the RISM listing are <del class="diffchange diffchange-inline">uploaded </del>monthly.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>P&E has always been associated with the international <ins class="diffchange diffchange-inline">online catalogue of (notated) music sources developed by </ins>[http://www.rism.info/ RISM<ins class="diffchange diffchange-inline">]. The online </ins>project <ins class="diffchange diffchange-inline">was originally focused on </ins>music manuscripts from the seventeenth and eighteenth centuries<ins class="diffchange diffchange-inline">, but parallel projects initially committed to paper are scheduled to appear online</ins>. At this writing (<ins class="diffchange diffchange-inline">January 2014</ins>) the online [http://opac.rism.info/index.php?id=2&L=1 RISM database] of manuscripts contains <ins class="diffchange diffchange-inline"><i></ins>c<ins class="diffchange diffchange-inline"></i></ins>. <ins class="diffchange diffchange-inline">875</ins>,000 entries, which come from more than 60 countries. <ins class="diffchange diffchange-inline">This constellation of projects </ins>was begun in 1952. The database structure in which the musical data exists has more than a hundred text fields and is searchable in many ways. Links to the digitized manuscripts directly from the RISM listing are <ins class="diffchange diffchange-inline">updated </ins>monthly.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Typesetting Codes: CMN, MusiXTeX, Lilypond, Guido, ABCplus====</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Typesetting Codes: CMN, MusiXTeX, Lilypond, Guido, ABCplus====</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Music_253&diff=4325&oldid=prev
Craig at 06:09, 13 January 2014
2014-01-13T06:09:22Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 06:09, 13 January 2014</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>See also the [[Music 253/CS 275a <del class="diffchange diffchange-inline">Winter 2014 </del>Syllabus]].</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>See also the [[Music 253/CS 275a Syllabus]].</div></td></tr>
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Craig
https://wiki.ccarh.org/index.php?title=Music_253&diff=4253&oldid=prev
Esfield at 01:30, 3 January 2014
2014-01-03T01:30:59Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 01:30, 3 January 2014</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>See also the [[Music 253/CS 275a Winter <del class="diffchange diffchange-inline">2013 </del>Syllabus]].</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>See also the [[Music 253/CS 275a Winter <ins class="diffchange diffchange-inline">2014 </ins>Syllabus]].</div></td></tr>
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Esfield