https://wiki.ccarh.org/index.php?title=Juditha_triumphans&feed=atom&action=history
Juditha triumphans - Revision history
2024-03-28T22:17:19Z
Revision history for this page on the wiki
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https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=11426&oldid=prev
Esfield: /* The Text of Juditha triumphans */
2022-03-27T22:21:06Z
<p><span dir="auto"><span class="autocomment">The Text of Juditha triumphans</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 22:21, 27 March 2022</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Juditha-tp.jpg|275px|thumb|left|Title-page of Cassetti's libretto for the oratorio <i>Juditha triumphans</i>. Biblioteca della Ca' Goldoni, Venice, 2008.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Juditha-tp.jpg|275px|thumb|left|Title-page of Cassetti's libretto for the oratorio <i>Juditha triumphans</i>. Biblioteca della Ca' Goldoni, Venice, 2008.]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In such a simplistic account the characters of Judith and Holofernes <del class="diffchange diffchange-inline">are easily contrasted</del>. The righteous widow Judith is intent on defending the Faith (i.e., Venice), and her arias define her as forthright and determined. <del class="diffchange diffchange-inline">Music </del>of sympathy and quiet persuasion <del class="diffchange diffchange-inline">falls </del>to Abra. By turns we find Holofernes, the Ottoman aggressor, to be angry, seductive, drunk, and betrayed. The head priest Ozias and the head eunuch Vagaus serve their masters in conventional but musically persuasive ways. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In such a simplistic account the characters of Judith and Holofernes <ins class="diffchange diffchange-inline">allows for easy comparison</ins>. The righteous widow Judith is intent on defending the Faith (i.e., Venice), and her arias define her as forthright and determined. <ins class="diffchange diffchange-inline">Musical mumbers </ins>of sympathy and quiet persuasion <ins class="diffchange diffchange-inline">fall </ins>to Abra<ins class="diffchange diffchange-inline">, her attendant</ins>. By turns we find Holofernes, the Ottoman aggressor, to be angry, seductive, drunk, and betrayed. The head priest Ozias and the head eunuch Vagaus serve their masters in conventional but musically persuasive ways. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Few works by Vivaldi exhibit such a close coupling of political motive, text, and music. His imitations of Janissary bands permeate the surface, but at a deeper level most of the woodwinds serve to underscore a fleeting sentiment or turn of events.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Few works by Vivaldi exhibit such a close coupling of political motive, text, and music. His imitations of Janissary bands permeate the surface, but at a deeper level most of the woodwinds serve to underscore a fleeting sentiment or turn of events.</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=10214&oldid=prev
Esfield: /* Performer's Guide to Juditha triumphans */
2021-01-25T20:09:27Z
<p><span dir="auto"><span class="autocomment">Performer's Guide to Juditha triumphans</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:09, 25 January 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l57" >Line 57:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Chalumeau.jpg|100px|thumb|left| Central European chalumeau (left) and Lithuanian birbyne. Photograph by HaCeMei, Wikimedia Commons, 2008.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Chalumeau.jpg|100px|thumb|left| Central European chalumeau (left) and Lithuanian birbyne. Photograph by HaCeMei, Wikimedia Commons, 2008.]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Contrary to popular belief, the Pietà's <i>figlie di coro</i> who performed in this and other works by Vivaldi were not nubile. They ranged in age from their mid-teens to their 60s or 70s. Many had pupils who were girls ranging in age from 8 or 10 to their teends. One copy of the libretto for <i>Juditha</i> identifies the soloists as Caterina, Silvia (b. 1650), Polonia (b. 1692), Barbara, and Giulia. All five were born in the seventeenth century, the eldest (Silvia) around 1650, the youngest (Polonia) in 1692. The chorus was one of Virgins with respect both to <del class="diffchange diffchange-inline"> </del>the Pietà’s situation and in the context of the subject<del class="diffchange diffchange-inline">, for </del>Bethulia, the name of the city Judith defended, meant “virgin.” </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Contrary to popular belief, the Pietà's <i>figlie di coro</i> who performed in this and other works by Vivaldi were not nubile. They ranged in age from their mid-teens to their 60s or 70s. Many had pupils who were girls ranging in age from 8 or 10 to their teends. One copy of the libretto for <i>Juditha</i> identifies the soloists as Caterina, Silvia (b. 1650), Polonia (b. 1692), Barbara, and Giulia. All five were born in the seventeenth century, the eldest (Silvia) around 1650, the youngest (Polonia) in 1692. The chorus was one of Virgins with respect both to the Pietà’s situation and in the context of the subject<ins class="diffchange diffchange-inline">: </ins>Bethulia, the name of the city Judith defended, meant “virgin.” </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>While in its reliance on core strings (violins, violas, cellos) <i>Juditha triumphans</i> is straightfoward in its instrumental requirements, the obbligati extend to unusual bowed strings [http://en.wikipedia.org/wiki/Viola_d'amore (<i>viola d'amore</i>)], plucked strings (mandolin, four theorboes), and woodwinds. A consort of five viols (2 treble viols, 2 violas da gamba, and a <i>violone</i>) are called for one in <i>recitativo accompagnato</i>. The woodwinds include paired baroque oboes, recorders, [http://en.wikipedia.org/wiki/Chalumeau <i>chalumeaux</i>] (single-reed instruments from Central Europe that were slightly shrill forerunners of the clarinet), and a shawm (<i>salmoè</i>). Natural trumpets and timpani lead the triumphal openings and closing numbers.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>While in its reliance on core strings (violins, violas, cellos) <i>Juditha triumphans</i> is straightfoward in its instrumental requirements, the obbligati extend to unusual bowed strings [http://en.wikipedia.org/wiki/Viola_d'amore (<i>viola d'amore</i>)], plucked strings (mandolin, four theorboes), and woodwinds. A consort of five viols (2 treble viols, 2 violas da gamba, and a <i>violone</i>) are called for one in <i>recitativo accompagnato</i>. The woodwinds include paired baroque oboes, recorders, [http://en.wikipedia.org/wiki/Chalumeau <i>chalumeaux</i>] (single-reed instruments from Central Europe that were slightly shrill forerunners of the clarinet), and a shawm (<i>salmoè</i>). Natural trumpets and timpani lead the triumphal openings and closing numbers.</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=9815&oldid=prev
Esfield: /* The CCARH Edition of Judith triumphans */
2020-09-26T04:15:53Z
<p><span dir="auto"><span class="autocomment">The CCARH Edition of Judith triumphans</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:15, 26 September 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l108" >Line 108:</td>
<td colspan="2" class="diff-lineno">Line 108:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The <i>Basso continuo</i> part (with occasional specifications for Organo, Cembalo) incorporates the cello and four theorbo parts. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The <i>Basso continuo</i> part (with occasional specifications for Organo, Cembalo) incorporates the cello and four theorbo parts. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This <del class="diffchange diffchange-inline">editions </del>of <i>Juditha triumphans</i> was first used by Venice Baroque, whose performances may be available [http://www.youtube.com/watch?v=2m-zXQNkTi0 here]. The edition has subsequently been revised and corrected for use by Philharmonia Baroque (2014).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This <ins class="diffchange diffchange-inline">edition </ins>of <i>Juditha triumphans</i> was first used by Venice Baroque, whose performances may be available [http://www.youtube.com/watch?v=2m-zXQNkTi0 here]. The edition has subsequently been revised and corrected for use by Philharmonia Baroque (2014).</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=9274&oldid=prev
Esfield: /* The CCARH Edition of Judith triumphans */
2020-07-15T19:55:30Z
<p><span dir="auto"><span class="autocomment">The CCARH Edition of Judith triumphans</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 19:55, 15 July 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l77" >Line 77:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-miscellaneous.pdf Other instruments]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-miscellaneous.pdf Other instruments]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-ingleseamore.pdf Viole all'inglese]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-ingleseamore.pdf Viole all'inglese]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/quantomagisgenerosa.pdf Viola <del class="diffchange diffchange-inline">di</del>'amore] (written pitch)</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/quantomagisgenerosa.pdf Viola <ins class="diffchange diffchange-inline">d</ins>'amore] (written pitch)</div></td></tr>
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Esfield
https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=4618&oldid=prev
Esfield: /* Juditha triumphans */
2014-03-17T23:55:50Z
<p><span dir="auto"><span class="autocomment">Juditha triumphans</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 23:55, 17 March 2014</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Johannes_Matthias_Schulenburg.jpg|200px|thumb|left|Antonio Corradini's monument (1716) to Johann Matthias von Schulenburg on the island of Corfù. Photograph by Tasoskesaris, Wikimedia Commons, 2010.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Johannes_Matthias_Schulenburg.jpg|200px|thumb|left|Antonio Corradini's monument (1716) to Johann Matthias von Schulenburg on the island of Corfù. Photograph by Tasoskesaris, Wikimedia Commons, 2010.]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>One is aware from the first few notes that this is a staunchly militaristic work: the trumpets greet us almost brazenly, the chorus reminds us at intervals that this is a work with the purpose, and it all ends as militantly as it began. Yet <i>Juditha triumphans</i> is full of tender, affective writing. Abra is a fictional "nurse" who demurely follows the widowed Bethulian queen Judith on her murderous mission. Vivaldi heightens attention the work's most significant moments through the use of a series of changing instrumental obbligati. In the architecture of the whole, instrumental color plays a significant role in delineating changes of mood and also in symbolizing diverse universal conceptions--the passage of time (theorboes), fidelity (the oboe), rusticity (the recorder), and so forth. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>One is aware from the first few notes that this is a staunchly militaristic work: the trumpets greet us almost brazenly, the chorus reminds us at intervals that this is a work with the purpose, and it all ends as militantly as it began. Yet <i>Juditha triumphans</i> is full of tender, affective writing. Abra is a fictional "nurse" who demurely follows the widowed Bethulian queen Judith on her murderous mission. Vivaldi heightens attention <ins class="diffchange diffchange-inline">to </ins>the work's most significant moments through the use of a series of changing instrumental obbligati. In the architecture of the whole, instrumental color plays a significant role in delineating changes of mood and also in symbolizing diverse universal conceptions--the passage of time (theorboes), fidelity (the oboe), rusticity (the recorder), and so forth. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Giacomo Cassetti derived the tale from the [http://en.wikipedia.org/wiki/Apocrypha Apocrypha]. He specified its genre as a "sacred military oratorio." The seriousness of its intention was reinforced through its dedication to Johann Matthias (1661-1747), count of Schulenburg, the marshal of the forces designated to defend Corfù, the Republic's last stronghold of its diminishing maritime empire.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Giacomo Cassetti derived the tale from the [http://en.wikipedia.org/wiki/Apocrypha Apocrypha]. He specified its genre as a "sacred military oratorio." The seriousness of its intention was reinforced through its dedication to Johann Matthias (1661-1747), count of Schulenburg, the marshal of the forces designated to defend Corfù, the Republic's last stronghold of its diminishing maritime empire.</div></td></tr>
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</table>
Esfield
https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=4449&oldid=prev
Craig: /* The CCARH Edition of Judith triumphans */
2014-02-25T00:22:14Z
<p><span dir="auto"><span class="autocomment">The CCARH Edition of Judith triumphans</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 00:22, 25 February 2014</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l77" >Line 77:</td>
<td colspan="2" class="diff-lineno">Line 77:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-miscellaneous.pdf Other instruments]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-miscellaneous.pdf Other instruments]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-ingleseamore.pdf Viole all'inglese]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-ingleseamore.pdf Viole all'inglese]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><li> [http://scores.ccarh.org/vivaldi/rv644/quantomagisgenerosa.pdf Viola di'amore] (written pitch)</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></ol></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></ol></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></td></tr></table></center></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></td></tr></table></center></div></td></tr>
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</table>
Craig
https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=4448&oldid=prev
Esfield: /* The CCARH Edition of Judith triumphans */
2014-02-24T23:08:15Z
<p><span dir="auto"><span class="autocomment">The CCARH Edition of Judith triumphans</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 23:08, 24 February 2014</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l86" >Line 86:</td>
<td colspan="2" class="diff-lineno">Line 86:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Unfretted bowed strings</b>: </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Unfretted bowed strings</b>: </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Violin 1, Violin 2, Viola, Violoncello. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Violin 1 <ins class="diffchange diffchange-inline">(3 above)</ins>, Violin 2 <ins class="diffchange diffchange-inline">(4)</ins>, Viola <ins class="diffchange diffchange-inline">(5)</ins>, Violoncello <ins class="diffchange diffchange-inline">(6)</ins>. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Fretted bowed strings</b>: </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Fretted bowed strings</b>: </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Consort of 4 <i>Viole all’inglese</i>, i.e. 2 treble and 2 alto English viols, with <i>Violone</i></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Consort of 4 <i>Viole all’inglese</i>, i.e. 2 treble and 2 alto English viols, with <i>Violone</i><ins class="diffchange diffchange-inline">(8 above)</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Plucked strings</b>: </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Plucked strings</b>: </div></td></tr>
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</table>
Esfield
https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=4447&oldid=prev
Esfield: /* The CCARH Edition of Judith triumphans */
2014-02-24T22:49:08Z
<p><span dir="auto"><span class="autocomment">The CCARH Edition of Judith triumphans</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 22:49, 24 February 2014</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l87" >Line 87:</td>
<td colspan="2" class="diff-lineno">Line 87:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Unfretted bowed strings</b>: </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Unfretted bowed strings</b>: </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Violin 1, Violin 2, Viola, Violoncello. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Violin 1, Violin 2, Viola, Violoncello. </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><i>Viola d’amore</i>: We provide two versions--one at sounding pitch, another replicating the pitches written in Vivaldi's [http://en.wikipedia.org/wiki/Scordatura <i>scordatura</i>] version.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Fretted bowed strings</b>: </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Fretted bowed strings</b>: </div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l96" >Line 96:</td>
<td colspan="2" class="diff-lineno">Line 94:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Mandolin, 4 theorboes</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Mandolin, 4 theorboes</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Viola d’amore (version at sounding pitch; version in written pitch with scordatura<del class="diffchange diffchange-inline">)</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><b>Bowed with sympathetic strings</b>:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><i></ins>Viola d’amore<ins class="diffchange diffchange-inline"></i> </ins>(version at sounding pitch; version in written pitch with <ins class="diffchange diffchange-inline">[http://en.wikipedia.org/wiki/Scordatura <i></ins>scordatura<ins class="diffchange diffchange-inline"></i>].</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Woodwinds</b>: </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><b>Woodwinds</b>: </div></td></tr>
</table>
Esfield
https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=4446&oldid=prev
Craig: /* The CCARH Edition of Judith triumphans */
2014-02-24T08:53:44Z
<p><span dir="auto"><span class="autocomment">The CCARH Edition of Judith triumphans</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 08:53, 24 February 2014</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-continuo.pdf Continuo]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-continuo.pdf Continuo]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-<del class="diffchange diffchange-inline">miscellandous</del>.pdf Other instruments]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-<ins class="diffchange diffchange-inline">miscellaneous</ins>.pdf Other instruments]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-ingleseamore.pdf Viole all'inglese]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-ingleseamore.pdf Viole all'inglese]</div></td></tr>
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https://wiki.ccarh.org/index.php?title=Juditha_triumphans&diff=4445&oldid=prev
Craig: /* The CCARH Edition of Judith triumphans */
2014-02-24T08:53:14Z
<p><span dir="auto"><span class="autocomment">The CCARH Edition of Judith triumphans</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 08:53, 24 February 2014</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l76" >Line 76:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-continuo.pdf Continuo]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-continuo.pdf Continuo]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-miscellandous.pdf Other instruments]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/jt-miscellandous.pdf Other instruments]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/ingleseamore.pdf Viole all'inglese]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><li> [http://scores.ccarh.org/vivaldi/rv644/<ins class="diffchange diffchange-inline">jt-</ins>ingleseamore.pdf Viole all'inglese]</div></td></tr>
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