Difference between revisions of "Eleanor Selfridge-Field: Symposia, Conference Sessions"
Jump to navigation
Jump to search
| Line 10: | Line 10: | ||
Musical Composition, [https://media.dlib.indiana.edu/media_objects/xw42nc46k Part One] | Musical Composition, [https://media.dlib.indiana.edu/media_objects/xw42nc46k Part One] | ||
| − | Musical Composition, [https:// | + | Musical Composition, [https://media.dlib.indiana.edu/media_objects/n009w571c Part Two] |
| − | Musical Composition, Part Three | + | Musical Composition, [https://media.dlib.indiana.edu/media_objects/r207ts84s Part Three] |
| − | Musical Composition, Part Four | + | Musical Composition, [https://media.dlib.indiana.edu/media_objects/7p88cm27k Part Four] |
| − | Musical Composition, Part Five | + | Musical Composition, [https://media.dlib.indiana.edu/media_objects/wd376104b Part Five] |
| − | Musical Composition, Part Six | + | Musical Composition, [https://media.dlib.indiana.edu/media_objects/zp38wh035 Part Six] |
| − | Musical Composition, Part Seven | + | Musical Composition, [https://media.dlib.indiana.edu/media_objects/44558h933 Part Seven] |
Revision as of 21:48, 13 June 2023
Stanford University
Multipart symposium on Computers and Human Creativity (moderated by Douglas R. Hofstadter), winter 1997 Sponsored by the Center for Computer Assisted Research in the Humanities Sessions filmed by Stanford Television.
These links, transferred from VHS, are made available by ScholarWorks at Indiana University, Hofstadter's home institution.
Music sessions
Musical Composition, Part One
Musical Composition, Part Two
Musical Composition, Part Three
Musical Composition, Part Four
Musical Composition, Part Five
Musical Composition, Part Six
Musical Composition, Part Seven